This is a blog you’ll enjoy if you like writing! I write for magazines in the UK and abroad and I am also the Agony Aunt for Writers’ Forum magazine.



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Writing Your Memoir – is it worth it?

One of the questions I get asked a lot – both by my students, and via my Dear Della page in Writers’ Forum – is I’ve written a memoir, or I want to write my memoir, how easy is it to get it published?

The short answer is that it’s almost impossible to get a memoir published unless you are:

a) a celebrity

b) have an extraordinary story to tell (this incidentally needs to be along the lines of, my dad came from the planet Zog and my mother was a unicorn.)

OK, I was being rather tongue in cheek about that example, but you really must have an extraordinary story these days, at least you must have if you want to get the attention of a big publisher.

If you just have an ordinary life with a few extraordinary events thrown in, it’ll be tough to interest a publisher.  However – and this is a big however – in my experience writing your memoir or autobiography is one of the most satisfying, wonderful and cathartic things you can do.

So to answer the question I posed in the title of this blog. Yes it’s worth it.

Write it for the joy of writing it. Write it for yourself and your family.  Write it for love. And if you do find a publisher then great. And if you don’t and you really want it to be published, then it’s not hard, these days, to publish it yourself.

That’s my take on writing a memoir and autobiography anyway.  And if you would like to learn more. I am doing a Saturday Course on how to get started. How to Write Your Memoir/Autobiography is on 4 May, 13 in Bournemouth.

Please do email me or post a comment for further details. And happy writing!

 

 

 

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Posted in Writing | 2 Comments

Keep on Learning

Today,  I am delighted to welcome my guest blogger and friend, the lovely Kath McGurl, owner and author of Womag. Kath is talking about writing classes.

Kath has just written a fabulous little writing book called Ghost Stories and How to Write Them. Do please check it out here.

Ghost Stories and How to Write Them

Keeping on Learning

I’ve been attending Della’s evening writing classes for about six years now. You might think there is nothing new to learn about writing after so much time, but that’s not true. We may sometimes cover topics I’ve done before, but we will cover them in a different way and every time I get something new from it. The classes are always inspiring and I come away buzzing with ideas.

My book, Ghost Stories and How to Write Them, owes a lot to Della’s classes. Two of the stories contained in it were originally written for our class end-of-term competitions which are always great fun. One is Play With Me about a child-ghost in a swimming pool. For this competition we had to write a story with a single setting. The other is Letting Go, for which we had to put our main character out of his or her comfort zone. I came up with the idea of a reclusive ghost, who was forced to share the space he haunted with another ghost.

And a third story in my book began life as a writing-class exercise. In these exercises, Della sets a kitchen timer and gives us six minutes to write. She might set us to write the start of a story or a piece of characterisation or a chunk of dialogue – always something different. My story What’s Up with Benjy?, in which a ghostly dog needs to be laid to rest, began as a paragraph or two scribbled furiously in my notebook for one of these exercises.

So if you’re serious about writing and have the chance to attend writing classes locally, I’d strongly urge you to do so for the continual inspiration you’ll get from them. If there are none locally, consider joining an online class, or going to one-off workshops at the weekends. They’re always worth it!

And Della says…

Thanks so much for all that, Kath, and yes I couldn’t agree more. I teach writing classes now, but I also attend one as a student. I started going twenty six years ago and I have no plans to stop. It’s a great place to get inspired, check out whether my stories work before an editor sees them, and get help with endings of stories, which are the bane of my life.

 

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Posted in Guest Posts, Writing conferences & schools | 3 Comments

The chip of ice in every writer’s heart

It was Graham Greene, wasn’t it, who said that every writer should have a chip of ice inside his heart. This has more than one interpretation, some of them not very nice, but I used to think it meant this: however tragic our situation, or someone else’s, there is a detached part of us that is storing up details so that we may one day write about it.

Does this make us callous? Hard hearted? Exploitative? Should we be ashamed of ourselves? Well, that’s debatable. Do I do this? Yes, I can’t help it, I’m a writer. I sell emotion. (as all writers must).

But I’ve been thinking about this a lot lately and I’d like to put forward another theory of mine. Actually it’s not a theory; for me it’s a fact.

Writing about emotions that I’ve felt, especially grief or sadness or anger, is immensely cathartic. I write about them because if I didn’t I would go stark raving mad – OK madder than I already am!

I have to write these things out of my system, it helps me to stay sane. It helps me to cope with the awful things life can throw at you sometimes.

And actually I think it helps others too – I write out my emotions in fiction and on the whole I write fiction with upbeat endings. I hope my readers will find identification in what I write and find some comfort in my stories. I really do – and, as it happens, I have many letters from readers who have said that this is exactly how it works.

Gosh, I didn’t know I had such a bee in my bonnet (sorry for the cliché) about this. I would love to know what you think.

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Posted in Writing | 12 Comments

Issue Led Stories

Issue led stories are controversial – or can be? Should we write them? Especially for magazines. Or should we stick to nice safe subjects like weddings and car boot sales and summer balls. Not that I’ve got anything against these subjects, I think I’ve sold stories about all of them – well possibly not a summer ball, must put that one on my list!

But – and I think I might have mentioned this – I also like writing about issues. Gritty issues. My students often ask me if there are any subjects that are taboo for magazines and the answer is that, no, I don’t think so.  Well maybe some subjects are taboo for some magazines, but I’ve written lots of issue led stories. I’ve written (and sold) stories about: abortion, agoraphobia, anorexia, alcoholism (did I mention I just wrote a book about alcoholism called Ice and a Slice).  Check it out here. You can even read the first chapter on the previous blog. I will shut up about Ice and a Slice soon, I promise!

I’ve also written about the death of pets or people, drugs, sexual abuse, nervous breakdowns, cancer, prisons – I’ve even slipped the odd quite saucy story past a magazine editor!

I think the key to writing issue led stories and selling them to magazines is to do it sensitively and also to give some hope. If you write about a gritty issue and then give it a really sad ending this might not be so successful.

You can of course write stories with more downbeat endings for competitions. But don’t be depressing even if you’re being downbeat.

I’ve just had one of my issue led stories (about anorexia) published on Morgen Bailey’s blog. If you’d like to check that out, please do take a look. Click here. It’s Flash Fiction so very short. In fact, I think that Flash Fiction works very well if you use a strong, gritty subject.

I’d love to know what other writers think.

 

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Posted in Short stories for magazines, Tips on writing, Writing | 10 Comments

Ice and a Slice, Chapter One

Just in case you’re short of some reading material on this lovely, brrrr, summer weekend, here’s Chapter One of my new novel, Ice and a Slice…

Chapter One

The first thing she noticed was the tinny metallic taste in her mouth. And then came the thirst. The thirst was so bad it had got into her dreams and forced her awake. No, not awake, aware – a slowly growing awareness which was coming, sense by sense.

Like sound. She could hear an echoey blur of footsteps and voices, which rolled in and out of her head. Closer by, something electronic beeped. Beep, beep, beep – steady and rhythmic – beep, beep beep.

Where was she? She opened her eyes and was hit by a wall of light. She shut them swiftly. She felt as though she was made of crystal, cool and brittle. She was a thin glass person who could be shattered by the slightest touch.

After a while she tried opening her eyes again. This time the room swam in various shades of light, but she managed to squint long enough to focus. To her left was a tall metal stand with a clear bag of fluid clipped to the top. To her right was some kind of machine, which seemed to be the source of the beeping. Close to her cheek was the edge of a thin blue woven sheet, but it felt more like a tablecloth than a sheet. She shifted a little to get away from its roughness and her head spun.

“So you’re awake then?” A blurred face leaned over her. She made out red lipstick, a thin line of a nose, kind eyes.

“Drink?” she gasped.

The face moved away, then loomed back in and she was aware of a straw close to her mouth. “Take it steady.”

Ignoring the advice, she sucked greedily and her throat was suddenly awash with coolness – the wonderful coolness of water – and then she was retching, choking, drowning. A firm hand supported her back. “Easy does it.” She tried again, more carefully, and this time with more success.

“You’re in ICU,” the voice went on. But she wasn’t really listening, didn’t really care; there was nothing more important than water; the need for it blanked out every other sense, every other feeling.

It was about thirty seconds later that the pain kicked in.

There was a deep, deep ache in her lower back, sparked off by the movement of leaning forward to drink. She moaned and the voice returned. “Gently does it, love. Slowly, slowly…”

The other voices – the further away voices – were still rumbling in the background and now she could make out odd snatches.

“She’s in a very weakened condition – I really wouldn’t advise visitors.”

“I want to bloody well see her. Tell him, Jim. Tell him we want to bloody well see her now.”

Oh God, that was her mother. What was her mother doing here? And why was she swearing? She never swore. Something bad must have happened. Something very, very bad.

Beneath the awful aching her heart began to thump harder and the beep of the machine sped up to keep time.

Then all at once they were there; the lumbering shadows of her parents sliding into the light. Her father bulky and silent – he never said much, he couldn’t get a word in edgeways most of the time – and her mother in her Evans black and white knitted jacket.

“Oh, Sarah-Jane, whatever are we going to do with you? Whatever are we going to do with her, Jim?”

Her mother’s usually ruddy cheeks were pale and she didn’t look as though she’d combed her hair lately. She was shaking her head now, a frown creasing her forehead, and her face was reproachful.

“It’s okay,” Sarah-Jane began, desperate to reassure them, but she only managed the very first bit of the ‘it’ so her voice resembled that of a mouse – a very small mouse caught in a trap – and the hand she’d meant to lift to calm her mother seemed to be attached to a wire. She glanced at it, which turned into a painful and rather shocking moment as there was a needle in the top of her hand which led to the wire which, in turn, led to another machine that looked like an old fashioned typewriter.

“Oh,” she said. “Oh…oh…”

“What’s she saying, Jim? Do you think we should call the doctor?”

Something niggled at the back of her mind. It was something to do with a party. Had she been at a party? A snapshot of memory drifted in. Herself draped on a chair watching someone walk across the terracotta carpet. They were carrying a tray of mushroom vol-au-vents.

“SJ, love, can you hear me?” The kindness of her father’s voice brought a sharp ache to her throat. “SJ, lovie?” He’d moved closer to the bed and was holding her hand in a fumbling, awkward kind of way. They had never been a touchy feely family. And when she looked up at him she saw that his eyes were full of tears and the ache in her throat intensified. Dad never cried. He was trying very hard not to do it now. He sniffed twice and rubbed his cheek with the side of his index finger, a tiny little movement that broke SJ’s heart.

She couldn’t speak and she couldn’t bear to see the pain on his face. Shutting her eyes again she let herself drift backwards into the soft black space of her mind.

The next thing she was conscious of was someone lifting the wrist that wasn’t wired to the machine and taking her pulse.

It was the nurse who’d given her the water. She had tiredness lines around her eyes and spoke gently. “How are you feeling?”

“Quite bad,” SJ said, hearing her voice come out hoarse and unused.

The nurse nodded and wrote something on a clipboard. “You’ve got a visitor if you’re up to it.”

As she spoke another woman slid into SJ’s line of vision. She was small and serious-looking with bobbed hair and Yves St Laurent glasses.

“Hello, Sarah-Jane. I’m Doctor Maria Costello; I’m from Clinical Medicine. I’d like to have a little chat with you if I may?”

SJ nodded, although her consent was clearly not required. The doctor had already pulled up a chair.

“Do you know why you’re here?”

“No. Have you come to tell me what’s wrong with me?”

“Would you like me to tell you what’s wrong with you?”

“Yes please.” SJ lay back on her pillow, exhausted with the effort of speaking. Everything still hurt and she could smell antiseptic hand wash. It was beginning to make her feel sick.

She watched the doctor’s face through half closed eyes. Shadow memories lurched at the back of her mind and suddenly she wanted to say, “No, stop, I’ve changed my mind. I don’t want to know.”

But it was too late. The doctor’s mouth was moving again, her words crisp and precise. “You are suffering from alcoholic poisoning. On Sunday your husband found you unconscious at home and he called an ambulance. If he hadn’t acted as quickly as he did, you wouldn’t be here now. The quantities of alcohol we washed out of your stomach were more than enough to kill you.”

SJ covered her face with her hands. The memories were taking form, becoming less shadowy, forcing their way up to the surface.

There had been some terrible argument with Tom. She’d been trying to stop him leaving the house. She was holding tightly onto his arm and he was trying to shake her off and his face had been grimmer than she’d ever seen it. As if he really hated her. As if he couldn’t bear to be married to her for a moment longer.

She could feel herself starting to shake, in a place deep inside. Because there were other images coming too, only these were more detached. She was watching herself from a distance. She was watching herself cross the hallway of her house, go into her lounge and unclip the gin bottle from the optic behind Tom’s bar. She could see her own hands getting out glasses and lining them up – a long line of glasses on the bar.

Four crystal tumblers, two pewter tankards, five little shot glasses Tom used for whiskey chasers if ever he was in the mood, and one commemorative wine glass with the words Sarah-Jane and Tom, on their wedding day, May 2009 inscribed on the side.

“I did this to myself,” she said, closing her eyes.

The doctor’s voice was very serious. Almost cold. “Are you conscious of the danger you placed yourself in? Last Sunday afternoon you drank almost a full litre bottle of gin. I’d like you to tell me why.”

And if you’d like to know what happens next you can find out for less than the price of a gin and tonic 🙂 by clicking here

 

 

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Posted in first chapter, Ice and a Slice | 5 Comments

To Plot or Not

When you write a novel, one of the first decisions you need to make is how you are going to undertake to write it.  Will you

a)  Plan out each chapter in detail so that you know exactly what is going to happen from beginning to end.

Or

b) Simply place your characters in a difficult situation and see what they do to resolve it, hence allowing the plot to evolve through the actions of the characters.

These are the two extremes and you might decide to do a little of both, but there are advantages and disadvantages of both working methods and it might help to know them before you start.

The planned approach – Advantages

A detailed plot will cut down your writing time considerably because you will always know exactly what you are going to write next.

You are also unlikely to get stuck or run out of steam halfway through.

Planning in detail means that you can also keep an eye on the structure as you work.  You will probably know how many words each scene will take and so can keep an eye on balance as you write.  I.e. make sure that one or two characters don’t run away with the action.

Planning also means that you don’t have to write the novel in chronological order.  You know what is going to happen, for example, two thirds of the way through, so therefore, you could, if you wished, write that bit first.

Disadavantages

If you know exactly what is going to happen all the way through your novel, there is a danger that you might become bored and stop writing it.

There is also a danger that you might write all the exciting scenes first and leave the slower scenes until later – with the same result.

The Unplanned Approach – Advantages

There is nothing more exciting when writing than not knowing what your characters are going to do or say next, so you might well end up with some unexpected twists and turns of the plot that are less likely to come from a strictly planned approach.

Disadvantages

There is a very real danger that you will get stuck because your characters have been backed into a corner from which there is no way out.

On a similar note, you might find that you get about halfway through your novel and find that you have run out plot.

If this happens, then you can often put it down to one of two reasons.

a)      You didn’t have enough plot in the first place.

b)      You haven’t developed the plot you already have.

Want to know more? Come along to How to Write Your First Novel on Saturday 13th April, in Bournemouth. Cost, just £35.00. Please email me if you’d like any more details.

 

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Posted in plotting, Tips on writing, Writing, Writing problems and solutions | 1 Comment

Author voice – finding yours.

Voice

This is a word that is often bandied about by critics and writing tutors alike. But what does it actually mean?

It’s a hard thing to define. For me, it means the way that a novel is written: style comes close, but it’s a little bit more than style, it has to do with the author and how they come across. Although, these days, not many novelists, directly address the reader, ‘and that, dear reader, is how the story begins,’ the author is of course there. No matter how hidden they are, their presence shines through between the lines, and this is how it should be. Otherwise all novels would feel the same -they would have a text book style.

How do you develop voice?

I think this comes with practice. When we begin to write we often model ourselves on our favourite authors. We unconsciously (or not) emulate their style. This rarely works. It’s better to develop your own style. And as writers grow more confident, that is generally what happens.

The more you write, the more your own individual voice will emerge. We all write in a way that instinctively feels comfortable to us and I think that this is what becomes our voice.

It’s difficult to decide if your own writing has a voice, but anyone who regularly reads your work will be able to tell you. In my writing classes we have regular writing competitions. To make it fair, students enter these anonymously by putting their stories in a folder on my desk, but after being with a class for a while and listening to their work read out, I find I can identify certain entries, because the authors have a very strong voice.

Three words that sum up Voice

If I had to pick three words that sum up voice, I would say: passion; honesty; and language. When you write your first draft let it all hang out. Don’t edit yourself, be passionate, be messy. But also be truthful. Our writing, our creativity, comes from deep within us. Get in touch with your inner truth. Be aware of the language you use. Be aware of how you actually say things. What words are really you? In this way, I think you will find your own voice.

Voice is what makes readers care about your work (or not). Voice is what makes them want to read on.

Below is an extract from my new novel, Ice and a Slice – well you didn’t think you were going to get away with me not mentioning it, did you?  One of the things that helped when I was writing it was finding the character’s voice early on. And her voice became the novel’s voice.

Ice and a Slice

The terrifying part was pressing the button on the intercom system beside the grimy frosted-glass door. Before that she could have been any other office worker on the busy Soho street with nothing more important on her mind than where to go for lunch: Daddy Donkey for a burrito or Malletti for a slice of pizza? Oh, what she would have given to have been making a choice like that.

She could still run away. Phone up later and say she’d been ill or had to work. She probably needn’t even phone. These kinds of places must get loads of people who made appointments and didn’t turn up. No doubt they were used to it.

Her legs were too rubbery to run anywhere. She glanced over her shoulder. No one was paying her the slightest attention. Thank God. Her outfit, overloud floral leggings and her hideously expensive Monsoon jacket, red for confidence, had been a mistake. She should have worn a wig and dark glasses and one of those great big overcoats so no one knew whether she was male or female. On second thoughts, that would have attracted a fair bit of attention in the June heat – everyone else was in summer suits or mini dresses. A few hundred yards away two bare-chested council workers had coned off a section of kerb and were digging up the road. The faint smell of tar mingled with traffic fumes on the summer air.

Taking a deep breath, she stabbed at the intercom button, which she missed first time because her fingers were shaking. Now she was committed – please let them open the door quickly before someone she knew strolled by and spotted her.

If you did happen to want to buy the book – a mere £1.94 for Kindle, you could always click here 🙂

 

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Posted in Tips on writing | 6 Comments

Ice and a Slice

You know when authors tell you, ‘this is the novel I always wanted to write?’  Well Ice and a Slice is mine. Ice and a Slice is the novel I always wanted to write.

I’ve landed myself two agents on the strength of it. Both of them helped me to make it better, particularly my current agent, Becky Bagnell, from the Lindsay Literary Agency,  and I am very grateful.

Ice and a Slice is about friendship, it’s about beating the odds and it’s about love.  The heroine, Sarah Jane, is deeply flawed and deeply human and I love her to bits.

Sarah Jane thinks everything is just great.  Her family is great, her marriage is great, her life is great. But Sarah Jane has a secret that is eating her up – life isn’t quite as great as she’d like to believe. She is in denial about her family, her marriage and her life. But most of all she is in denial about her drinking.

Her best friend, Tanya, has much worse problems. Sarah-Jane is determined to help her out with them – just as soon as she’s convinced Kit, the very nice man at the addiction clinic, that she’s perfectly fine.

She is perfectly fine, isn’t she?

There’s a lot of me in this novel.  There’s a lot of truth in it. It’s the novel where I finally found my voice. I hope that one day I’ll write another novel as good as this one.

I hope, also, that you’ll love reading Ice and a Slice as much as I loved writing it.

Available now for Kindle. Paperback coming soon.

Buy at amazon.CO.UK: here
Buy at amazon.COM: here

Click here to see the Facebook page

Click here to follow Sarah Jane on Twitter 

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Posted in Ice and a Slice, News | 1 Comment

Social Media to promote your books – does it work?

Write a blog, set up a Facebook page, get a website, Join Twitter, Join Linked-In, and all the other social media sites out there.  Get a public profile. Get a platform. This is what we are told we must do if we want to sell books.

Does it work? If we manage to fit all this in (whilst also writing the books in the first place) will we have lots of sales?

And more to the point what does doing all this stuff actually mean? Do we go on Facebook and Twitter and endlessly mention our books? (yawn!) What do you do when you see yet another new book on your Facebook timeline or your Twitter feed? Do you  instantly download it? Maybe if it’s free and looks good, you do. Or do you just move on to something more interesting?

My latest novel, Ice and a Slice (what do you think of the cover by the way?) is about to come out. Initially it will be released as an ebook in a week or so. I may tell you this again!

However, I am experimenting with different approaches to marketing. For instance, SJ, my main character, has her own Twitter account. Mornings or afternoons are best to talk to her as she’ll be sober then. But evenings might be quite good fun if you don’t want a serious conversation!

You’ll find her on Twitter as Sarah Jane in denial @SarahJaneCrosse

Please do go along and say hello.

SJ also has her own Facebook page at Ice and a Slice

I would love to know your thoughts on using social media creatively 🙂

 

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Posted in Ice and a Slice, selling your book, social media | 8 Comments

Getting the Grip Factor

Have you ever been in a writing group and listening to a manuscript – possibly read out by one of your very good friends – and then realised that you’ve stopped listening. That you have drifted off partway through? That you have missed a chunk. Have you ever felt relieved that they’ve stopped reading? No?

Don’t lie. I know you have. So have I. And then I’ve felt guilty. And then I’ve decided it must be because I’m tired, or it’s been a long day, or because I’m stressed. Or because I’m distracted. In short, I’ve decided it must be my fault.

But what if it isn’t my fault? What if it’s their fault?

Here’s another question for you? Have you ever been in a writing group and listening to a manuscript – possibly read out by someone you don’t care for too much – you weren’t really paying that much attention. And suddenly you find that you’re gripped. You’re listening. You don’t want them to stop. You are disappointed when they do stop. You want more.

Whose fault is that? This is an easier question to answer, isn’t it. It’s their fault. The writer’s. Clearly they have written something that’s good. They have the X factor, the hook, the read-on-ability factor – whatever you want to call it.

I realised recently that this whole question of whether it’s easy to listen – or not – is a very good gauge of how good something is. If I’m gripped, chances are the story/writing is good, If I’m not gripped, well it isn’t.

So has your writing got the Grip-Factor or the Switch Off Factor?

Your friends won’t tell you the truth. So here is a light hearted look at how to tell.

How to tell if your writing has the Switch Off Factor

People are fidgeting, texting, writing notes, playing on their iPad, looking glazed over.

People have fallen asleep and are snoring.

People sigh when you finish – with relief.

There is utter silence in the room – everyone has left.

How to tell if your writing has the Grip Factor

There is utter silence in the room – everyone is hanging on to your every word.

People sigh when you finish – with frustration because they want more.

 

And yes, I’m being very lighthearted here, but it’s food for thought, isn’t it. Check out your audiences’ reactions next time you read 🙂

If you want to get the Grip Factor – when it comes to short story writing. There are still places on my day course next Saturday 9 March. How to Write and Sell Short Stories.

More details for How to Write and Sell Short Stories

 

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Posted in Tips on writing, Writing | 11 Comments