This is a blog you’ll enjoy if you like writing! I write for magazines in the UK and abroad and I am also the Agony Aunt for Writers’ Forum magazine.



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Womag Writer – Guest Post by Patsy Collins

Patsy CollinsIt’s an honour to welcome Patsy Collins to my blog today to talk about the Womagwriter blog.  Patsy is a short story writer and novelist. Like myself, she has always found Womagwriter a brilliant resource for short story writers. So when she was asked if she’d like to take over the blog – what did she say? Here’s her story.

***

When I first started submitting short stories to magazines, I did a lot by guesswork. As a result, quite a lot of my submissions stood no chance of being accepted. Stories fell between usable word counts, were in 1st person for markets taking only 3rd, included taboo subjects (yep – I had someone ill in a story I submitted to The People’s Friend!) Naturally that didn’t help either my acceptance rate or my confidence.

Then I discovered http://womagwriter.blogspot.co.uk. On there were guidelines for every magazine I’d ever considered submitting to, plus some I’d never heard of. There was advice and updates, plus comments from other writers. It was a huge help for several years. Then Kath McGurl who ran it got a book deal and stopped writing short stories. She kept the blog going as long and as well as she was able with very limited time, but eventually I took over.

These days the blog still contains current guidelines for all the UK women’s magazines which accept fiction submissions, plus as many foreign ones as I can find out about. There’s also lots of tips, information and advice – not just from me, but from many different writers and even a few editors. There are interviews giving an insight into the lives and writing process of other writers. Guest posts offer encouragement or explain a particular writing or submission topic. Sometimes you’ll find special offers on womag related books, or details of new releases. Occasionally there will be links to workshops or other useful events. There’s a page where people can ask questions. Hopefully the blog is as useful now as when I first discovered it.

I enjoy running the blog – particularly when people take the trouble to comment on posts to say they’ve enjoyed them or found them useful. It does take up a lot of time though, so help is always welcome. If you discover a new market or hear any womag news, please let me know, either through the comments, or using the contact information on the blog. Please look through the posted questions occasionally, in case you can answer. If you can contribute a guest post that will be useful to womag writers, or you’re a womag writer, editor, illustrator etc who’d like to be interviewed, please get in touch.

***

Thanks so much, Patsy. It’s lovely to have you. As well as writing short stories for womags, Patsy has published four novels. The most recent, Firestarter, is a romantic comedy with a hot fireman and a few flames. Check it out here. http://viewbook.at/Firestarter

Patsy’s website is at http://patsycollins.uk

Firestarter

 

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Posted in Guest Posts, Short stories for magazines, Writing | 2 Comments

PR for Authors – The Final Frontier Guest Blog By Sarah E. England

PR is a subject which can strike horror into the hearts of authors everywhere.  Some love it, some hate it. Personally I quite like it but it’s hard work and very time consuming. I’m always fascinated to hear how other writers handle it. So today I’m absolutely delighted to welcome the very lovely Sarah E. England to my blog to give us her take on PR for authors. Over to you, Sarah.

Sarah England

Sarah England

****

Well I thought learning how to write good quality fiction was a long, hard learning curve – what with all those magazine rejections over the years – so twelve years on, with over 160 short stories, several serials and two books published with the small press, I really did think I could do it. Publish my first supernatural horror novel, that is. On my own. Yes – research, writing, editing (many times), proof-reading,  formatting, cover art and the publishing! So much to learn. But actually, just at the point I thought I’d cracked it, I began to realise that was the easy bit.

Since then – a month ago – I have discovered just what it means to try and get your new book in front of readers, because without them writing novels is a luxury for most of us. Now I don’t know about you but I really squirm at self-promotion. However, as I had to it anyway with the online publishers I was with, my thinking was – I’ll do it myself and that way I’ll a) get the book out more quickly, and b) have more control over presentation, promotion and price. I have a background in sales and marketing so how hard can it be? Hmmm – well the answer to that is very! Very hard indeed! So this is what I’ve learned and I hope it helps or at least invites discussion!

First you will need to correct all the mistakes you’ve made in terms of proof-reading, cover art, and basic presentation on Amazon – if you’re like me and didn’t pay anyone to do it for you originally! For this you can approach people like Laurence O’Brian of BooksGoSocial… he pointed out my cover title was too small and my own name too big. He advised on the Amazon book page presentation, plus the inclusion of review quotes at the top. Of course, I now realise big publishers will have those reviews ready on day one! And yes, they are important – you have, apparently, 3 seconds to hook a potential reader! And top publishers know this.

Next you have to get your book onto the virtual bookshelf. It isn’t in the shops on the first shelf a potential reader will go to, nor is it on the front page of the genre in which you feature on Amazon. Unless a reader is actually looking for your book or knows you on face book – they don’t know the book is there. So yes, a launch party and your family and friends will catapult you into the top 100 in your genre on day one. But then you could well have to watch a nosedive into oblivion. Unless you do something.

In the past I’ve done blog tours and guest spots and tweeted until I’m hoarse… and it’s got me reviews and a few sales keeping the book in the midlist for a while. But still the wider readership does not know it’s there. So here’s what the big publishers do to get their own books noticed: apart from doing deals with bookstore chains and buying shop front space, they pretty much have to do the same thing in the virtual world of amazon and nook and kobo etc So what do they do?

Spend… a lot!

First there are the top promotional channels like Bookbub and ENT who email out to hundreds of thousands of readers specifying the genre they are interested in. These not only cost serious money per day, but also specify high review ratings and lots of them – not easy to get quickly if you haven’t had your book mailed out to reviewers prior to release, and it’s not easy to get top reviewers quickly either – more on that later. Ideally a cut price deal on the book is required, and even more ideally, a layering approach to your marketing – ie lots of promotional channels all on the same day – right across their mailing lists, social media and websites. So already we’re talking in the high hundreds and that’s just for one day.

Next – advertising in the media. For example The Publishers Weekly is one I subscribed to and which sends out its beautifully presented recommendations every week. So I looked at what a spot in ‘We Love This Book’ would cost me… thousands! Yes thousands, and again – for one day or even just a morning’s circulation. Imagine how a reader on these mailing list buys a book… they will look in the genre they are interested in, pick out something that grabs them, click and buy! Great. If you’re a reader. But try getting onto that list at those prices regularly enough and with a big enough space to attract that 2-3 second attention span a busy person will give you. Without big money….

So now let’s look at radio and TV shows. I now know how writers get to be invited on there! PR companies cost thousands too. And they work for the big publishers. Handshakes on the golf course again?

Lastly, reviews, as I said, are crucial. Why? Well I now know that reviews from the media, beta readers, bloggers, and well-known book reviewers hold great sway with the readers who follow them and trust them – after all no one wants to waste their money. And this is what spreads in the end – recommendations engender trust which in turn engenders more readers.. And promotional companies take notice, eventually believing that the product is of good enough quality to be included on their mailing lists… at a cost of course!

Highlighting this very fact  is the recently opened Amazon store in Seattle. They bought books on the basis of reviews not on what they were told to stock by big publishers because that’s what a handful of marketing people decided they would push. So all power to the people… there’s a way forward in this – just not sure what it is yet. Needs shaking up though, doesn’t it?

A note on Father of Lies. I’d been writing for magazines for ten years, and had a background in psychiatry (nursing and then medical sales/marketing) when I met a lady with what used to be called multiple personality disorder and it broke my heart hearing her story and what she suffered. I already had an unhealthy interest in the occult and from that point on I started to do some serious research into demonology  and even exorcisms – the books were so scary I had them burnt afterwards because I couldn’t keep them in the house! Anyway, having lived in a haunted mill at one time, up on the bleak but very beautiful Derbyshire moors, Father of Lies soon began to take shape. It took a long time to write, and even longer to prepare for publication …and all I wanted to do was bring it to the readers….sound of sobbing…

To this end a group of us have formed Authors Reach – it’s a day old as I write – but the aim is to bring a diverse group of genres to the reading public and encourage interaction. The one problem I can see regarding independent authors is quality. There are literally thousands of books out there that are really and truly awful. (Why do people think they can just write a book? Another subject …) At least agents and publishers do usually ensure good quality. Usually. In my view it’s very much a closed shop and more upcoming authors need a look in, BUT the issue remains – how does a reader know a book is going to be worth their money? Reviews. Lots of them. Endorsements. Hard work building up a fan base via social media and writers working to help each other. This really does have to be for love, doesn’t it?

Anyway, never one to miss an opportunity – if you love horror and you fancy being scared witless (actually when you know a lot of this is based on a true story it only adds to the horror).. Here’s a little about Father of Lies, and thank you for reading. Please hook up with me on social media too… it will be interesting to know what you think!

*********************

Father of liesFather of Lies

A Supernatural Horror Novel by S. E. England

Ruby is the most aggressively disturbed patient ever admitted to Drummersgate High Security Forensic Unit, on the bleak Derbyshire moors in England. With no improvement after almost two years, psychiatrist Jack McGowan, finally decides to take a risk and hypnotises her . With devastating effects.
A horrific, dark force is now unleashed on the entire medical team, as each in turn attempts to unlock Ruby’s shocking and sinister past. Who is this girl? And how did she manage to survive such evil when no one else can?
Set in a desolate northern mining village, where secrets remain secrets and intruders are hounded from their homes, soon enough their questions lead to a haunted mill, the heart of darkness…and The Father of Lies.
Sleep tight!

http://www.amazon.co.uk/dp/B015NCZYKU

http://www.amazon.com/dp/B015NCZYKU

https://www.facebook.com/sarahenglandauthor

http://www.sarahengland.yolasite.com

http://www.twitter.com/sarahengland16

*****

Thank you so much, Sarah. I love the cover by the way. Shivery stuff. And great tips on PR and marketing. Yes, it’s the hard bit, I agree. Writing a book suddenly seems relatively easy, doesn’t it!

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Short stories for Nanowrimo update – one week in!

This year, as I mentioned in my last blog, I’m attempting to write 50,000 words of short stories during the month of November for Nanowrimo. We are 7 days in. I thought you might like to know how I’m getting on.

Statistics

  • I’ve written 14,000 words so far in 7 days.
  • I’ve started ten stories.
  • I’ve finished eight of them in first draft.
  • So far I’ve edited two and sent two out.

Yay, so it feels like I am achieving something.

Inspiration

My week started with a bang. Last weekend I was on a roll.  The words flowed. I wrote one longish story (2700 words), quite emotional, good structure that I liked a lot. Then another two pager (2000 words) which was lighthearted and fun. Quite liked this one too.

The next story I started, which was supposed to be a very short one pager decided it might quite like to be a serial. That’s one of the ones I haven’t finished, it’s about 2000 words currently.

Then came the one pagers, two of which are finished, edited and sent. The rest all need editing and I’m not sure I’m happy with the endings. I rarely am happy with my endings straight off.

It’s harder some days than others. It’s pretty full on writing like this. And I find it quite tiring.

Enjoyment Factor

Mostly, however, I am having a wonderful time. I think I mentioned that before. It’s incredibly freeing.  I’m not obsessing over any of the stories or worrying about them. I can’t even remember exactly what I’ve written.

Grass roots

It takes me back to when I began writing short stories.  I used to write at speed then. When I started to write full time, I wrote three stories a week. Every week. One on Monday morning, one on Monday afternoon, one on Tuesday morning. The remainder of the week was spent editing these three, teaching my five writing classes and editing any rewrites/rejections that came back in.  I don’t do that any more. There seems to be far more PR and publicity work to do. Oh and I don’t think there was much social media then either.

The Down Side

Is there one? Yes, possibly.

  • A part of me really really wants to edit as I go. It’s hard to resist that. It’s difficult to discipline myself not to look at yesterday’s story.
  • It also means I had to cancel virtually everything else I do in November. Apart from prebooked essentials, for example, tomorrow I’m teaching at Woman’s Weekly all day. I will leave my house at 5.45 a.m. and get back about 10.00 pm. I won’t be writing any Nano tomorrow. Mind you, if I was going on the train I would have done!
  • I’ve had to virtually give up social media. (is that a down side!) Oh, and answering emails.
  • My friends think I’m dead!
  • Oh, and I’m also moving house, which is slightly stressing me out. Haven’t packed much!

Week Two

This may be harder as I have 3 other commitments this week. I will report back. How is everyone else getting on?  Don’t forget, if you need any help with short stories, The Short Story Writer’s Toolshed is quite good.  Even if I do say so myself! 🙂

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Six tips for writing shorts for Nanowrimo

As I mentioned in my last blog I’m busy doing Nanowrimo this month. But as usual I’m writing 50k of short stories in November not a novel. This is more useful for me, being as shorts are my day job. I thought I’d share some of how I work with you – in case it’s helpful. Here are my top tips.

  1. Keep them all in one document. I call mine Short Story Bonanza 2015 (Nano likes a title). And it’s easier to keep a word count if they are all in one place. I do start a new page for each story and I head it up with the date. (I don’t often have a title when I start a story.)
  2. I don’t necessarily start a new story each day.  I try to finish the one from the day before. After all, the object of doing Nano is that I write saleable stories and they have to be finished at some point. So I finish as many as I can in draft. But there might still be the odd one unfinished. And that doesn’t matter. Very freeing.
  3. Make Nano the first thing you do. I tend to get up early at least every other day and start at 6 ish. That way my words are often done by nine and I can get on with the rest of my day. I can’t tell you how good that feels!
  4. Use prompts to get going. I love A Writer’s Book Of Days by Judy Reeves. It has a prompt for every day of the year. Fabulous.  I’m not a plotter. I never have been. I sit at my desk, and I start typing. I trust the process. The main thing which stops us writing is us. Our lack of confidence. Our internal editors. Switch off these negatives and just write. You can do it.
  5. Do not use any Nanowrimo time for editing. Always do your daily word count first. Edit later. I edit most of my Nano stories in December. I like editing and it’s a lovely thing to do in December.  I do edit some of the Nano shorts in November. But I take them out of the main document and save them as a new document. I’m always cutting when I’m editing so I don’t want to be cutting any of my nano words, do I?
  6. Nano with a friend. I’ve got a writing friend coming over later today and we’re going to have a go at writing a story each, using the same theme. This makes it so much more fun. And it’s inspiring. And we can get feedback straight away should we want to edit the story and send it out before the end of Nano.
  7. Oh and one last bonus tip.Make sure you’re stocked up on coffee or biscuits! Or whatever you need to reward yourself! (cake in my case). We deserve it.

And if you’d like any help with writing short stories, please do check out my book, The Short Story Writer’s Toolshed. £2.49 for kindle or £4.99 for the paperback.

Happy Writing!

 

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Nanowrimo 2014. 50k of short stories in a month!

It’s coming up to Nanowrimo again isn’t it? That’s National Novel Writing Month for the uninitiated. That’s when you sign up to write a 50,000 word novel in the month of November. Or 50,000 words worth of short stories in my case.  It works out at about 1660 words a day. I love it. I love deadlines. Even if they are self imposed ones!

I’ve done it for the last two years. I thought you might be interested in some stats.  I do love stats! This is what I did last year.

  • 25 stories written.
  • 17 of those sold to date.
  • 5 still circulating.
  • 3 still need work so not out there yet.
  • Income from stories to date £2985.00

Not bad for a months work. It wasn’t of course really a month’s work because  I edited a lot of them in December although I did edit about five in November as well as write them.

But what I really love about Nano is the freedom to just start a new story each day without worrying about the previous day’s. Because I’m writing so many I don’t worry if one doesn’t work out – who cares? I just start again the following day. It’s very liberating.

Am I going to do it again this November? You bet I am. The way I see it you can’t lose. Even if you don’t complete the target – I fell short in 2013 by about 14k – you still end up writing more than you would have done anyway. So who’s in? Will you be doing Nano this year?

And while we’re on the subject of short stories can I just mention that one of my books on writing short stories, The Short Story Writer’s Toolshed, is only 99p for kindle from now (assuming you’re reading this on Sunday 25 October 2015) until 31st October 2015. Just in case you need any inspiration. 🙂

Happy writing!

NaNoWriMo-2014-Winner-Certificate

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Posted in Inspiration, NaNoWriMo, News, Writing | 16 Comments

How Much Do Writers Earn? The fact and the fiction

Another question from my Writers’ Forum postbag. The thorny old subject of money again. £60,000.00? I wish! I don’t think I even know any writers who earn that much but I stand to be corrected 🙂

Q I went on a website called “Indeed”. It claims that the average annual salary for an adult fiction writer is £60,000.

From what I read writers earn very little and don’t have the privilege of an annual salary, so I am a bit confused.

Is it because the salary varies geographically?

I also read something that certain type of authors (both fiction and non-fiction) can be employed? Is this true?

A There are all types of writing jobs. Editors, staff writers, copy editors journalists, script writers and novelists all come under the category of writers. Some are employed by magazines, newspapers or publishing houses and they receive an annual salary. Some are self-employed.  This is probably where the confusion arises.  However, I don’t know of ANY fiction writers who are employed and paid a salary.

An article published in The Guardian in July 2014 estimated the average writer’s earnings to be £11,000. This figure is lifted by the fact that a tiny percentage of writers earn a great deal. Think J K Rowling and E L James.

Another interesting statistic is that ten per cent of authors make fifty per cent of sales. It’s a sad and rather shocking fact that the lowest paid salaried employee in a publishing house will earn more than most writers.

A few years ago I was working at the London Book Fair, which was packed to capacity with industry specialists. There were very few writers – the people who make books actually possible. It struck me and my colleague that writers are at the bottom of the food chain.

And here’s another fact that underlines this perfectly. To celebrate the record sales of ‘Fifty Shades of Grey’, Random House US awarded every employee a bonus of $5000 dollars. Their authors did not receive this bonus.

According to a survey commissioned by the Authors’ Licensing & Collecting Society (ALCS) the numbers of authors making a living from writing are as follow. In 2005, 40% of authors earned their income solely from writing. By 2013, this had dropped to just 11.5%.

Making a living solely from writing fiction is very tough. Few writers succeed. The market is fiercely competitive. The reality is this:

Most ‘full time’ self-employed writers, particularly fiction writers, subsidise their income by some other writing-related activity. These include talks, teaching, workshops, critiques, columns. Some have a separate income from non-writing related activities.

Most professional writers work very long hours and they dream that their next novel will be the BIG ONE.  Which, of course, it might! There is always the possibility that you might be able to break into being one of the top ten per cent. Hold on to the dream. But keep expectations realistic.

By the way, my novel, The Morning After The Life Before is 99p this week (till 22 October). Now maybe if I could sell 60,000 copies of that… 🙂 

 

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Posted in Dear Della, Questions from Dear Della | 9 Comments

Winter Reading for 99p

Tma and ice togetherJust Thought I’d pop in and mention that The Morning After The Life Before is 99p till this Thursday (22 October 15). So if you fancied reading the sequel to Ice and a Slice, now’s your chance 🙂

Nothing like curling up with a good book and a glass of mulled wine – you might want to drink the mulled wine first, tee hee!

 

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How do I stop my romances becoming predictable?

A rose by any other name!

A rose by any other name!

Here’s another question from a recent postbag at Writers’ Forum. This one comes up quite a bit.  We’re talking fictional ones by the way!

Q A common cause for the rejection of short stories (I know, because I’ve received many!) is that “the story line was too predictable”. I find this very hard to avoid particularly when writing a romantic story for the women’s magazine market, when the maximum number of recommended characters is only three or four. What can be done to stop the reader from working out that the boy and girl who meet at the beginning of the story are not inevitably going to end up in each other’s arms?

A First of all, I emphasize with you. I agree that writing a romantic short story for a magazine is one of the hardest genres to crack, for exactly the reasons you state.  Here are some tips that I hope may help:

  • While the romance is likely to be a little bit predictable, other aspects of the story needn’t be.  You might want to try a unique setting. I’ve sold more than one story which featured a wedding or romance set somewhere unusual, for example an ice hotel. Think about setting your romances somewhere unique or unlikely.
  • You can also experiment with viewpoint. It’s a common misconception to think that romances need to be told solely from the female perspective. They don’t. A romance told from the male perspective, or possibly even a child’s perspective (providing it isn’t the child having the romance) can work just as well and make your story a little different. You might also want to consider dual viewpoint, a romance told from both the hero and the heroine’s viewpoint. I’ve sold a few of these.
  • The romance needn’t be your main plot line either.  It could actually be a subplot. Perhaps consider writing a family story, where the romance is relevant to more than one generation or a cosy crime story where the romance underlays the solving of a crime.
  • Also, don’t forget that it’s possible for the writing itself to be predictable. The use of language and a slightly different style can give romance a new freshness. As can a slightly different structure, i.e. a monologue or diary format.

There’s actually a very fine line between predictable and unpredictable. And actually it’s always an editor’s perception, there’s a little bit of luck involved too.

So I wish you good luck.

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Posted in Dear Della, Questions from Dear Della, Short stories for magazines, Tips on writing, Writing, Writing problems and solutions | Tagged , , | 5 Comments

Talking to Michelle Ward on Phoenix98 FM

A while back I was delighted to be interviewed by the very lovely Michelle Ward on Phoenix FM. Actually it was a very long while back. But I’ve finally managed to post it. Here’s me chatting about writing and stuff 🙂

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Posted in Me on the radio - eek!, Writing | 7 Comments

Holidays for Writers – are they worth it?

I’ve recently been lucky enough to spend time at two well known writers’ Summer Schools.  The Writers’ Holiday at Fishguard (Pembrokeshire) and Swanwick the Writers’ Summer School (Derbyshire).

So what can you do at a writers’ holiday? Apart from network and enjoy yourselves a lot, that is!

Here’s a selection of the 2015 courses provided at each.

  • Novel Writing
  • Manifesting your goals – writing goals – naturally!
  • Writing for Children
  • Poetry
  • Short Stories
  • Script writing
  • Painting – discover the artist in you.
  • Writing historical fiction
  • Writing contemporary women’s fiction
  • Writing for magazines
  • Meditation

The speakers are impressive too. Experts in their fields, they range from authors to agents and publishers to magazine editors. Check out their websites for next years selection.

Oh and then there’s the entertainment. The last night pantomime at Swanwick. The Cwmbach male voice choir at Fishguard. All unmissable entertainment.

What’s the food like? Well, Swanwick has a reputation for school dinner food but I thought this year’s was pretty good actually. Fishguard isn’t bad either. Waitress service, choice of menu. Huge breakfasts. Fantastic. But then maybe it’s just the company of other writers – you never know who you are sitting next to? That little old lady at breakfast who turns out to be the author of 40 plus novels or the woman who’s the world expert in chimney sweeps! Who needs food!

The accommodation is good at both but you won’t be spending much time in your room. There is far too much going on and you won’t want to miss a thing.

Both holidays are superb value. Fully inclusive for a week and around £500.

Will you come away inspired and buzzing and fired up to get on with the lonely business of writing. Well, I always do.  Both courses have Facebook and Twitter pages. Check out their websites on the links above. So you can keep in contact all year long. I highly recommend both ‘holidays’.

Fishguard is more intimate – around 50 delegates and they have a weekend in February as well as a week in July.  Swanwick has around 200 delegates and has activities going on from dawn – meditation on the lawn – till dusk – late night discos and writing sessions.

Fishguard is set on the beautiful Pembrokeshire coastline. Great for walking if you want to clear your head between courses.

Partners are welcome at both. Some pix below to give you a flavour of both but please do check out their websites.

My next Saturday course in Bournemouth by the way is Create Off The Page Characters. This is workshop based and suitable for beginners or experienced writers. And will be useful for you whether you write short stories or novels. Should be great fun. Small group guaranteed. Very relaxed environment. Constructive feedback.

  • Date: Saturday 17th October – 10 till 4.00
  • Venue: Kinson Community Centre, Millhams Road, Pelhams Park, Bournemout BH10 7LH
  • Cost: £45

Please email me via this website if you’d like to book or find out more details of my Bournemouth course.

I’m also teaching at the Royal Agricultural University in Cirencester, 8th to 10th April 2016 and in Alicante on 13th June 2016 for a few days. Email me for details of these if you’d like more info. I also teach at Woman’s Weekly offices in London. Please see their website for details. I’m also at NAWG this year 4th to 6th September and Woman’s Weekly Manchester Live 10th to 12th September. Phew, no wonder I feel a tad tired! I wore myself out just writing that!

Della guitar

me having a guitar moment by the lake at Swanwick with the lovely Helen Ellwood

Me teaching at Kinson

Me teaching in Bournemouth.

Swanwick house

Swanwick

fishguard

Fishguard

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