This is a blog you’ll enjoy if you like writing! I write for magazines in the UK and abroad and I am also the Agony Aunt for Writers’ Forum magazine.



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5 Things a Writer Should Never Say on Social Media and 5 Things That They Should :)

If you use sites like Facebook and Twitter as promotional tools, as I do myself, there are certain things you should and shouldn’t say in public.  This is my rather tongue in cheek list of Dos and Don’ts.

Dont’s

  1. Don’t ever say Buy My Book – yes I know I do this, but it’s boring and annoying and I am trying to give it up. Or at least be slightly more subtle.
  2. Don’t put up posts stating what a terribly hard and underpaid job writing is – no one wants to know that. As far as they’re concerned you are living the dream. At least have the grace to pretend you are!
  3. Don’t write posts confessing you’re just about to go into rehab or are being treated for depression – unless you’re writing the kind of book that is being inspiring about such things and offering solutions/cures. In which case, fill your boots.
  4. Don’t put up photographs of your aunt/uncle/second cousin’s funeral flowers. This may be OK if you use social media just for friends, but it’s not terribly professional if your posts are public. Or at least I don’t think it is. I have enough heartbreak of my own without anyone else’s. Is that harsh?
  5. Don’t put up shocking photos of battered animals or cruelly treated livestock with petitions attached. Please. For same reasons as number 4.

Dos

  1. Do talk about things other than writing. Pets, family, cakes, the weird man you saw on the way to the shop – all make excellent subject matter.
  2. Do take the mickey out of yourself as much as you like. This is always fun and quite entertaining. And fun is what most people expect from social media.
  3. Do put up entertaining/helpful quotes from other writers – or make some up yourself. Be upbeat and amusing.
  4. Do freely share writing help/advice you have come across or learned yourself from your writing experience.
  5. Do share any pictures/jokes/promos from other friends if you think they’re of interest to your followers..

The most helpful advice I ever received about writing was from a very experienced Mills & Boon author.  “Never forget,” she said with a gracious smile, “that we are in the entertainment business.”

I think her advice was very pertinent for social media too.

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How to Write Your First Novel – Sat 17 May

Just a very quick blog to say I’m running a day course – How to Write Your First Novel. It’s at Kinson Community Centre, Bournemouth on Saturday 17 May from 10.00 a.m. to 4.00 p.m.

It should be a small group so quite intimate and fun.

We will look at the following aspects of writing a novel:

  • Do you have a big enough storyline?
  • Does your plot keep the reader guessing?
  • How do you create irresistible characters and settings?
  • How do you write that all important first page?

Don’t worry, I won’t be asking you to reveal any brilliant plots you may have in mind!

Is the course for you?

This course is aimed at students who are thinking of writing or have started their first novel. It is workshop based and you will get the chance to read out your work and gain constructive feedback.

Please email me if you’d like to book. Thank you.

While I’m here – can I just mention my novella, Meltwater, is on promotion this bank holiday weekend, just 99p, click here for more details.

 

 

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Woman’s Weekly Fiction Workshops – Hot Tips

A couple of Fridays ago I was teaching again with Gaynor Davies at the Blue Fin Buildings, our subject, Writing Short Stories for Woman’s Weekly. I thought you might like an update. There are two more short story workshops planned at IPC, by the way, 15 August and 1st September 2014, click here for more details and as they are so popular I’m also in discussion with Gaynor about doing another one this year, probably in October. So don’t worry if you can’t get to one of these.

In the meantime for those who can’t make a workshop, here are a few tips from myself and Gaynor hot off the press. I must point out these are my tips, as I understand them, not direct quotes from Gaynor. (Just in case any of the Woman’s Weekly team are reading).

  • When Woman’s Weekly first came out their aim was ‘To be useful and not deal with the sordid side of life’.  An old adage which still holds true today.  But do be contemporary.
  • Today’s fiction should be escapist, but also believable.
  • Many stories are rejected because they are too old fashioned.
  • They need stories that have an individual voice so don’t copy the style of previously published stories.
  • They also want variety.
  • They are always looking for more humour.
  • Most popular lengths are one pagers (900-1000) and two pagers (1800-2000)
  • You can go up to 8000 words for the special and (top tip) they don’t get many of these.
  • On a technical level – keep the style simple. Cut adverbs and don’t get too wordy. The verb of speech ‘said’ is fine. Characters don’t need to exclaim, explain and expostulate.
  • Remember that imagery is good but too many images can cancel each other out.
  • Woman’s Weekly stories must have a proper ending – you don’t have to tie up the ends in a neat bow, but stories can’t be completely open ended either.

In the latest Woman’s Weekly Fiction Special (May – on sale 1st April to 6th May) I have a short story called By The Book (page 24 if you’re interested.) By The Book is a light romance about online dating. I don’t do many romance stories, mainly because it’s so hard not to get predictable. I was inspired however to write this story by Peter Jones’ latest book How to Start Dating and Stop Waiting which is very entertaining and also a brilliant guide to internet dating.

Woman’s Weekly are also very keen to get new serial writers. Serials go up to five parts, which is a lovely length if you want to write longer than a story but aren’t ready for a novel. The current one, called Amos Browne by Leonora Francis is excellent. If you would like to look at another example of a serial you could try my latest novella Shadowman, which was once a serial in Woman’s Weekly but is now having a second lease of life as a novella. If you buy it in the next day or two it’s only 99p too – as it’s on an Amazon Countdown promotion can’t say fairer than that!

And as I’m in ‘shameless promotion’ mode, if you’d like to read any more short stories by yours truly please do check out my collection of Daily Della titles, for example, Lessons in Love which is just £1.53. All of my Daily Della stories were previously published in magazines so they will give you a flavour of the type of story required.

There is a fabulous roof top terrace canteen at Woman’s Weekly, by the way, which does amazing shortbread – just in case you were still trying to make up your mind on whether to book up for a course.

If you’d like to know any more about the art of writing short stories, please also check out my Short Story Writer’s Toolshed which is £1.99 for kindle.

Thank you for reading. And here’s hoping none of our stories stay in the cupboard (see previous blog, journey of a woman’s weekly story) for long!

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Posted in Inspiration, News, Short stories for magazines, Tips on writing, Woman's Weekly, Writing | Tagged | 19 Comments

Meltwater

Novellas are the new novels, apparently. Can’t remember where I saw that. But just in case it’s true, I thought you might like to see my latest novella, Meltwater, which is all about dysfunctional families. (Are there any other kind!) Here is Chapter One. Happy reading. 🙂

Chapter One

“I’m leaving your father.” Mum’s voice on my answer phone was as clear as the winter sky outside my bungalow window, but I still couldn’t believe I’d heard her right. I pressed rewind and played the message again.

“Hi, Nina, I just thought you ought to know, I’m leaving your father.”

That was it. No preamble, no explanation. She didn’t even sound overly concerned about it. What kind of a message was that to leave on my answerphone at eight o’clock on a Saturday morning? Sometimes I could have happily throttled my mother.

Picking up the phone I pressed the memory button that stored my parents’ number. I let it ring ten, twelve, fourteen times. No answer. Yet she’d only left that message twenty minutes ago. I’d been out doing the horses’ morning feeds, as she’d known I would be. My parents weren’t early birds. They weren’t even normally up at this time of day. Perhaps she’d already left Dad and he didn’t know because he was still in bed asleep. My mind raced through the possibilities. I was about to try again when the phone rang. I snatched it up.

“Mum?”

“No, it’s me, Ingrid,” came the clear, bright voice of my sister in law. “Sorry, have I called at a bad time? I’ve been trying to catch you for a couple of days.”

“You’re OK.” I sighed. “Mum just left a bit of an odd message on my answerphone, that’s all.”

“What sort of an odd message?”

“Well – what she actually said was that she was leaving my dad.”

“You mean getting a divorce?” I could hear the surprise in her voice. “I didn’t realise they were having problems, your parents?”

“They’re not – well at least I didn’t think they were anyway. I’ve probably got the wrong end of the stick.”

“Maybe they’ve just had a row or something?”

“Yes, that must be it,” I said, although that seemed almost as unlikely as them splitting up. As far as I knew my parents didn’t have rows. Mum told Dad what to do and he did it. It had been the same for as long as I remembered. “I expect I’ll find out soon enough,” I said thoughtfully. “Anyway, what were you trying to get hold of me for?”

“Just about the arrangements for Tuesday.” She hesitated. “I’m going to the remembrance garden on my way home from work and I wondered if you’d like me to pick you up on my way by?”

“Yes, please, if you don’t mind.”

“Of course I don’t mind.” Her voice was warm. “It’s easier, isn’t it, if we go together?”

“Yes. Yes it is. Thanks.” I swallowed. I’d been trying not to think about Tuesday. The first anniversary of Carl’s death – my husband and Ingrid’s twin brother. Sometimes it felt as though he’d been gone forever. I had moments of panic when I couldn’t remember the details of his face. Other times it seemed as though no time at all had passed. I still turned over in bed, reaching for him.

“Are you OK?” Ingrid asked.

“Yes. Yes I’m fine.”

“The other thing,” she continued, “was that I wanted to ask you if Stewart Taylor ever got hold of you about booking a riding lesson for Oliver? You remember me telling you about little Oliver in my class? The kiddie with the problems?”

“They’re coming this morning,” I said, relieved at the change of subject. “Pop in for a coffee if you’re free later and I’ll tell you how it went.”

“Yes I’d like that. See you then.”

I put the phone down and pressed redial without much hope. Still no answer from my parents. They lived two hundred miles away, which had its advantages, but it also meant I couldn’t just nip round and find out what was going on. Not that I could have dropped everything anyway. Not with five horses to look after and a day of people booked in for lessons.

I hovered by the phone for a bit longer, but it stayed silent. And eventually I gave up, pulled my woollen hat back on, buttoned up my wax jacket and went outside again. It was a bright, icy morning, the sky an arc of blue over my head. My breath puffed in the air as I crossed the lane back to the stable yard, which was a five second walk from the bungalow Carl and I had bought five years ago. I’d been tempted to sell up and move away when he’d died. Away from this Dorset village and all the memories it held, maybe somewhere a bit closer to my parents inCornwall. I hadn’t thought I’d be able to bear staying where there were so many echoes of Carl. So many ghosts.

It had been Ingrid, who’d persuaded me not to.

“You can’t sell the horses,” she’d said, her voice sharp with grief “It’s not what he’d have wanted. You know it isn’t.” She’d looked at me, with the same blue eyes as her brother and added more softly, “He had two great loves in his life: you, and the horses. You might think it’s impossible, but it is the horses that will keep you sane. Believe me.”

Ingrid had been right I thought as I picked my way across the frozen mud in the field and broke the ice on the water trough. The horses had kept me sane. The routines of looking after them, the sheer physical hard work of them, had kept the structure from crumbling completely from my life.

I put out some piles of hay. The grass wasn’t much good at this time of year – not enough nutrition for my two thoroughbred crosses, Anton and Buska. Or the two horses that belonged to a couple in the village. They hardly rode in winter, just kept their horses at full livery, which meant they paid me to do everything, including ride them, which suited me fine. Not because I needed the money, that was one problem I no longer had, but because then I didn’t have to make small talk about trivia. I’d never been very good at small talk; Carl had been all the social life I’d needed.

Ingrid said I was in danger of turning into a recluse. “You never go out, you never mix with anyone,” she told me often. “You can’t hide yourself away forever, you know.”

“I teach four days a week,” I’d protested. “I see plenty of people.”

“That’s not the same,” she’d said. “You’re not going to meet anyone teaching.”

“I don’t want to meet anyone,” I’d said stubbornly.

“I’m not suggesting you jump headlong into another relationship,” she’d said. “But you could do with making some friends, Nina. It’s not good for you to spend so much time alone.”

It had been Ingrid who’d persuaded me to give Oliver a riding lesson. I didn’t usually teach kids. She was a primary school teacher and he was in her class. Apparently he’d become very withdrawn when his mother had walked out on him and his father six months earlier.

“He’s only eight. Far too young to lose his mum.” Ingrid’s voice had been indignant. “I’m very worried about him. He used to be such a bright little thing and now he hardly speaks. I’ve had a word with his dad – nice man – and apparently the only thing he shows any interest in is horses.”

I’d been sceptical at first, half suspicious that Ingrid was more interested in me meeting Oliver’s father than me teaching Oliver to ride, but eventually I’d given in. Ingrid could be very persistent when she wanted something and besides I knew I wouldn’t have coped without her this last year. It would have seemed churlish refusing to do this one small thing in return.

I went back to the stables and changed the horses’ night rugs for their day ones, fumbling with buckles and clips. Everything was harder work when it was cold. Then I put them all out in the field, except Leah, the pony that Oliver would ride for his first lesson. I leaned on the gate, watching for a moment, as the horses milled around the field, ears flattening, tails swishing, snorting white plumes of breath into the air as they sorted out whose pile of hay was whose.

Then I went back home to check the answerphone. There was a message from my three o’clock lady cancelling because she had a cold, but there was nothing else from Mum and there was still no answer when I tried phoning her. I didn’t even know the numbers of any of their friends, but then I suppose that wouldn’t have helped much. I could hardly have just phoned up and said, “Hey what’s this about Mum and Dad splitting up?”

I stood in the kitchen warming my hands on the Aga and thought about the last time I’d spoken to Mum. It had been two, possibly three weeks ago. We kept in touch regularly, if sporadically. She’d been moaning about Dad then, I thought, frowning. Something about him mooching around the house and never helping her with anything. Mum had always been house proud, but according to Dad she’d got worse since he’d retired two months previously.

“I’m not even allowed in some rooms until after four o’clock,” he’d grumbled, when she’d finally handed the phone over so he could speak to me. “And she makes me wear my slippers everywhere. Can you believe that?”

I’d laughed. “She doesn’t mean it, Dad.”

“Oh yes, she does. If I’ve got my gardening clothes on she puts a piece of newspaper on the kitchen chair before I’m allowed to sit on it.” He’d lowered his voice and added, “She’s obsessed, Nina. Obsessed with cleaning.”

“I expect she’s just adjusting to you being around more,” I consoled, and he’d sighed and said, “I hope you’re right. I don’t know if I can stand this much longer.”

Mum’s message couldn’t be anything to do with that, surely, I thought, glancing round my messy kitchen. I took after Dad where tidiness was concerned. There was mud on the floor by the back door, a pile of plates in the washing up bowl from last night and you could hardly see the table for bits of paper. The stable yard was immaculate, but I didn’t bother with the house much. No-one except Ingrid ever came round anyway.

It was odd though that I couldn’t get in touch with either of my parents. I glanced at my watch. I couldn’t afford to hang around for much longer. I had five stables to muck out and I had to get Leah ready for Oliver Taylor’s lesson.

If you fancy reading the rest, please click here to buy for kindle. Thank you for reading.

 

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The Journey of a Woman’s Weekly Short Story – from arrival to publication

Last Friday I was lucky enough to be teaching at Woman’s Weekly’s offices in London with Fiction Editor, Gaynor Davies.  While I was there, I thought it would be very interesting to find out exactly what happens to our stories when they arrive. So if you have ever wondered what happened to your manuscript after you posted it – here is the journey of a Woman’s Weekly Short Story.

Woman's Weekly

Step One. All manuscripts are logged in date order and put in this cupboard.

The Manuscript Cupboard

Step Two. They are sorted out and read. If you have been published by Woman’s Weekly before they will be read ‘in house’. If you have not they will be sent out to two very experienced readers who Gaynor says she trusts with her life.

Step Three. If your story is a near miss or a possible it will be sent back to Clare for a second read.

Step Four. If Clare likes it, she will pass it to Gaynor Davies, fiction editor.

Step Five. If Gaynor likes it she will pass it to Diane Kenwood, the editor for a final read/approval. Which is hopefully followed by a yes.

Step Six. If it’s a yes, Clare will contact you by phone or email to tell you the good news.

Of course, a ‘no’ can happen at any stage of this process.  If it’s a ‘no’, you will have an email from Maureen Street.  Now it has been rumoured that Maureen Street doesn’t exist. That she is just the pseudonym or ‘fall guy’ if you like – the made-up person who sends the rejections.  I can confirm she does exist and she is a very very nice lady. Here she is with Gaynor.

Gaynor Davies (left) Maureen Street (right)

And here are the two desks where so many decisions regarding the fate of our stories are made 🙂

So now you know!

 

Gaynor's desk (closest) Maureen's desk (by window)

Gaynor's desk (closest) Maureen's desk (by window)

 

 

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Posted in News, Short stories for magazines, Wednesday Writing Spot, Woman's Weekly, Writing | 39 Comments

Wednesday Writing Spot – A chat with Derek English of Forest FM

Ha ha – here I am chatting to Derek English of Forest FM about writing if you have a spare few minutes 🙂 Please click the link below, or here if you’re reading this in an email.

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Workshops and Writing Courses Happening Now

We are suddenly awash with writing courses – must be spring 🙂  In date order, soonest first, below are some of the ones I am personally involved with:

From 17th February, 2014 – 2nd March – Purbeck Literary Festival

There are all sorts of exciting events going on across the Purbecks. I am teaching How to Write and Sell Short Stories on 18th February, at the Limes Hotel in Swanage. 10 a.m. till 4.00 p.m. Cost £18.50 including lunch. Click here for details.

21 February 2014 – Woman’s Weekly, London (also running 11 April, 15th August and 1st September)

Woman’s Weekly Fiction Workshop (short stories with Della Galton and Gaynor Davies): 21 February at IPC Media, The Blue Fin Building, London SE1. 10 a.m till 4.30 p.m. Cost £65. Click here for details.

28 February to 2 March (weekend course) – Fishguard, Pembrokeshire

Write a Short Story Step by Step with Della Galton. Also other courses at Fishguard this weekend. Cost £229. Click here for details.

Saturday 22 March – Bournemouth

How to Write and Sell Short Stories. 10 a.m. till 4.00 p.m. Cost £45.00 Click here for details.

Sunday 23 March – Southend on Sea, Essex

This one’s not writing – but who doesn’t want to be happy? And I can personally vouch for the course because I’ve been on it.

How to Do Everything and be Happy. 10 a.m. till 4.00 p.m. Workshop leader, Peter Jones. Cost £45. Click here for details, and to book online.

Saturday 14th June – Bournemouth

How to Write and Sell Your Memoir. 10 a.m. till 4.00 p.m. Cost £45. Click here for details.

I also teach weekly classes in Bournemouth if you would like a weekly injection of inspiration. Please see this website for details or email me.

Happy writing all.

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Books? We’ve got them covered. Guest Post from Soundhaven.com

Today I’d like to welcome Soundhaven.com to my blog.  And it’s all about covers. Oh and just in case you were interested – From Invisible to Irresistible is free today too 🙂  Over to you, Soundhaven.com…

Soundhaven.com hasn’t been around long. About two years give or take. But in that time we’ve published twenty four titles under our own imprint, and helped several authors start their own. We’ve learnt a fair bit in those two short years, particularly when it comes to designing covers.

That age old advice, “never judge a book by its cover”, is as ignored today as it’s ever been. Perhaps more so. In a world where book-covers are more likely to seen as thumbnails on a screen (than through the window of a bookshop) it’s never been more important to make sure the cover of a book stands out from its competitors, and in that briefest of moments communicates some semblance of the wonders that might lay within the pages it enshrouds.

Just for fun then, here are a handful of soundhaven.com covers that we’ve designed, and what we were thinking when came up with them.

cover paperback



Ice And A Slice by Della Galton

Popular magazice Author Della Galton had some pretty clear ideas about what she wanted for the cover of her latest full length novel. From our perspective it was important that the cover worked just as well in print as it does on the screen – for this reason we were keen to find an image we could wrap round the spine and continue onto the back. We’re particularly fond of strong photographic imagery, but sometimes the image needs a helping hand communicate what the book is about, which is why we played around with some of the words and letters in the title. Does the word ‘and’ seem out of focus to you? And did you happen to notice what the pink letters spell out?

toolshed1 kindle covertoolshed2 kindle cover


The Writer’s Toolshed Series by Della Galton

Sticking with Della, The Short Story Writer’s Toolshed was one of our earliest titles. This short book is a based on a series of articles Della wrote for the rather excellent Writers’ Forum magazine, so it seemed logical (to us) to give the cover that authentic ‘magazine’ feel in an effort appeal to those same readers that the articles had originally been written for. A year later we persuaded Della to bring out a follow up book, and again we went for that magazine look. However, even though Della is wearing a different jacket, and standing in front of a different shed(!) in retrospect I wish we’d made the covers more different, perhaps by changing the colour of the font, or the overall layout. I still wake up in the middle of the night fretting about whether her readers have figured out there’s two books!

RGB versionFITI kindle


How To Start Dating And Stop Waiting Series by Peter Jones

When it came to our most recent ‘series’ we went all out to try and make sure that whilst the titles are clearly related (same font, similar layout, similar colour pallet), they’re very different (if anyone confuses them I think I might just cry). It was important too to come up with a design that could be used to brand the associated website and a facebook page. And finally we were keen to continue the graphical theme that Harper Collins established with Peter’s first book and pick icons that give you some idea what each book is about. Have we succeeded? You decide.

Shadowmanmeltwater


Shadowman and Meltwater by Della Galton

Our two most recent covers are amongst our all time favourites. And whilst the titles aren’t related (they’re not even the same genre) we rather like how they look together. Fiction titles don’t generally have a subtitle, which is partly why we’re strong believers in the importance of an intriguing ‘movie-style’ strap-line.

We hope you like our covers as much as we do. You might be interested to know that even if you’re not one of our authors for a small fee we can be bought! We offer a number of publishing services of which cover designing is just one.


‘Meltwater’ will be available on Kindle in the coming weeks.

 

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Tips on Entering Writing Competitions – Wednesday Writing Spot

I recently judged the H E Bates Short Story Competition, organised by the Northampton Writers Group. Morgen Bailey is the chair and for today’s Wednesday Writing Spot I’m delighted to welcome Morgen to my blog to give us her tips on entering writing competitions. Over to you, Morgen 🙂

Tips on entering Writing Competitions

Competitions are a great inspiration and not only get me writing something new (certainly for the themed ones) but even if I don’t get anywhere, I still have the story to do something else with, like submitting to women’s magazines here in the UK (although it’s more advisable to write specifically for their markets) or self-publishing to add to my collection of eBooks.

I’d love to give you advice that will guarantee a competition win but it won’t. Sorry about that. There are two reasons for this:

    1. You will never know how the judge will feel when he / she reads your story. He / she could be going through an acrimonious divorce and your divorce story is a painful reminder. I know, judges shouldn’t be personally involved in your writing but that’s the thing with fiction (and non-fiction of course); readers get emotionally involved – you should want them to, and if they do, it means your story ‘works’.
    2.  You will never know whom you’re up against. Yours could be a fantastic story – the best of twenty about unrequited love – but that’s it, it’s one of many on the same theme. It would have more chance of the judge seeing it if it’s the best but it’s the story about a pink tutu-wearing green alien they remember. I’m not saying to write something so way out that you run the risk of… erm, alienating the non-science-fiction-loving judge, but your story needs to ‘pop’. If you’re going to pick a well-worn theme – it is said, after all, that there are only seven plots – you need to find a new angle.

The most important thing? Read the guidelines. I can’t stress that enough. If they want a maximum of 2,000 words, don’t send them 3,000 or even 2,010 (or a 45-line poem when they only want 40). I’ve just finished judging the first ever NLG Flash Fiction Competition and had to disqualify one story because it was 610 words (max 500). We have Word, so we have a word counter – it’s easy to check and catch you out. Your story may be the best thing since sliced granary but no one will know because they won’t get to read it. I didn’t read the 610-word story, although I might go back out of curiosity.

Another usual pre-requisite is to not send a story (or poem) that has been published (online counts as published) or won / shortlisted in another competition. Another NLG story was disqualified because the author notified us saying he / she had submitted the story in error because it had gained second place in another competition. Ironically, it was also my second-place, so my third became second and another story became my third, and eleventh now highly commended. I don’t know who submitted the story (because I’m Head Judge – only our Secretary knows so it’s fair) but editors and judges remember those authors who do such things, so don’t. Keep a list. File your story in a particular folder. Be organised.

Another must is spell and grammar check. It sounds obvious but I spotted a ‘tine’ instead of ‘time’ in one piece and it lost a point because it was a careless error. Unless you’re writing a new story the day before the deadline, give yourself plenty of notice. Write the piece at least a week (the earlier the better) before you have to send it in, leave it for a day (preferably more) then edit it. Read your story out loud – it will sound different to how it sounds in your head and you will spot errors easier (especially if it’s been a while since you wrote / read it last).

Don’t leave it until the last minute. It’s very tempting to send in your story the day the competition ends just in case you want to make any last minute alterations, or so the judge might remember it coming in, but the organisers appreciate it if you’re early. It makes their job easier, as they can send the stories out to the judge/s in batches rather than in one go.

If the competition has a theme, stick to it. If they want a story set in the London Underground, don’t think you’re being clever by setting it in the Paris Metro or New York Subway, unless you’ve come from / are going to the London Underground. Last year’s H.E. Bates competition had (for the first time in its 20-year+ history) a theme; ‘A Walk at Midnight’, and we had a couple of stories which didn’t include a walk or set, at any point in the story, at midnight.

Choose a snappy title. Don’t be lazy and call it The Journey (a title of an old story of mine which I’ve since renamed No White Left). You can certainly use it as a working title but then a phrase might leap out at you when you’re writing it. I write a short story a day for my blog’s 5pm Fiction slot and it’s often what happens to me.

Research your judge. If he or she writes romance, the chances are s/he’d favour a love story over a slasher horror. If it’s the best thing they’ve ever read then you could still do well but again you’re running a risk. With most competitions, the Head Judge (the name advertised) will only see a selection of the stories, so even if you write to their taste, if the competition panel (often a writing group) don’t like it then it will never reach Mr / Mrs Famous Writer. ‘Named’ judges’ time costs money and most competitions can’t afford to pay a famous (or even semi-famous) author to sift through hundreds of entries.

So you want to make your story (or poem) as good as it can be to get through all those people and make the last one go “wow”. You never know it could even be me.

Morgen Bailey

morgen@morgenbailey.com

http://morgenbailey.wordpress.com

http://icanbuildyourwritingblog.wordpress.com

 

Thank you very much, Morgen, for being my guest today. Some very useful tips :

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Posted in competitions, Guest Posts, Tips on writing, Wednesday Writing Spot, Writing | Tagged , , , | 4 Comments

H E Bates Short Story Competition. Winners and Presentation

I was honoured to be asked to judge the 2013 H E Bates Short Story Competition, and last Friday 17th January I presented the prizes to the winners, which was both humbling (I wish I’d written some of those stories) and nerve racking (I had to do a short talk too). By the way, do these two gentlemen in the foreground and on the right of the photo look as though they are asleep? I’m sure I didn’t “hold forth” for that long!

So without further ado, here are the results and a brief summary of why I chose them.

Adult Section
1st prize: Last Tango in Space by Anne Corlett
2nd prize: Ancient Wing by Tracy Fells
3rd prize: Make Mine Mythical by Rosa Johnson

Under 18s
1st prize:Something In The Mist by Katie Bunting

Best short story written by a Northamptonshire writer:
Memories Through My Grandfather’s Eyes by Dave Martin

Why did I choose these stories? There were different reasons, but… they all had the X Factor. I’ve gone into a bit more detail below:

Memories Through my Grandfather’s Eyes was both warm and poignant and a lovely portrayal of an ordinary family.

Something In The Mist was both gripping and full of insight and I was impressed by the author’s grasp of storytelling and structure. It was in male viewpoint and I was even more impressed when I discovered the author was female.

Make Mine Mythical was very funny and had brilliant characterisation and dialogue.

Ancient Wing  was original, unusual, and beautifully written.  Tracy managed to make me love the ‘at first’ unsympathetic main character – well done.

Last Tango In Space was fabulous. I cried when I read it. I cried again when Anne read it out on Friday.  It was about an older couple on the first manned trip to Mars. Written in diary form, it was both amusing and deeply moving and ended with a fabulous universal truth. Thank you Anne for writing this. I wish I’d written it myself. I can give you no higher compliment.

Well done to all the winners of this incredibly hard to judge competition.

Thank you to everyone who entered.

 

And here is Anne Corlett, winner of the H E Bates, with Morgen Bailey, Chair of the Northampton Writer’s Group, and myself.

 

 

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Posted in competitions, News, Writing | Tagged , , , , | 6 Comments