This is a blog you’ll enjoy if you like writing! I write for magazines in the UK and abroad and I am also the Agony Aunt for Writers’ Forum magazine.



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Market Research – it’s a bore, but if you want to sell more!

Market research is a lot simpler than it sounds. If you want to sell short stories then you need to find out who buys them and what they are looking for.

Do research your market before sending anything. Read several stories in the magazine or other market you intend to write for.  I find it helps to tear them out and lay them side by side.  It’s much easier to see style, length of sentences and the language used.

The age of your market’s readership is very important.  Your story should reflect the interests of your target reader.  Adverts are a very good indicator.

Check to see if your editor prefers first or third person viewpoint.  Do they take male viewpoint, double viewpoint, narrative viewpoint?   In my experience most editors do have a preference.

Try to be different without going outside the parameters.

Don’t send more than one story in the same envelope.  A My Weekly editor once told me that if she receives two or three stories in an envelope from the same author, she will automatically grade them in order of merit and if she is going to buy, will buy the best one.  The stories would have to be outstanding for her to buy more.

By all means send more than one story to a magazine, but not in the same envelope and not at the same time.  A week or so between each one is about right.  Having several stories out at a time lessens the pain of rejection.

Keep records so that you know where your work is, date sent etc.  I decide before sending a story out for the first time, exactly where it will be going for the first few markets. I sell 40% of my work first time out.  Overall, I sell approximately 94% of the stories that I write.  If I gave up after the first time out, I wouldn’t be able to make a living.

If a story comes back from the first market you try, it may well need re-writing for market number two.  People’s Friend and Take A Break have very different requirements.

Rewrite, particularly if an editor comments.

There are various levels of rejection slip.  A plain compliments slip from the editor with nothing written on it is probably about the worst.  If you are getting close, many fiction editors will tell you. D C Thomson editors often send out what they call a “see more” letter, i.e., we would like to see more of your work.  If you get one of these letters, follow it up with a new story as soon as possible.

Up your game – come on my How to Write and Sell Short Story course on Saturday 9 March in Bournemouth. Details on the courses page of this website. Why not email me for more details.

The only way to avoid rejections is the also the only way to avoid success.  Do not send anything at all.  That way you can proudly tell everyone that you haven’t a single rejection in your cupboard.  For the record, I have hundreds. I have never met a successful writer who hasn’t.  Good Luck.

 

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Posted in Short stories for magazines | 8 Comments

Tips on Dialogue

As we know dialogue in fiction – or non fiction – has several functions:

It characterises, i.e. it shows the reader what our characters are like.

It moves the plot along, i.e. it helps to unfold the story.

It adds pace by breaking up the narrative.

It should do these things while sounding very natural, and this in itself can be quite a skill.  It’s very tempting to put chunks of information into dialogue that don’t sound natural.

Example one

Karen sat back in her chair and looked at her friend, Annie. “So how does it feel now that your eighteen-year-old boy, Jack, has left home to go to university,” she asked.

“It doesn’t feel very good to be honest,” Annie replied. “I feel as though the house is too big for me. It would be better if Charlie hadn’t run off with his much younger blonde secretary six months ago.”

Karen sighed. “Yes, it must be very hard for you suddenly having a four bedroom house all to yourself and I guess you aren’t as rich as you used to be either now that you have lost your well paid job at the bookmakers.”

This dialogue is certainly moving the plot along at a rapid pace, but does it sound real?  Would these two women really speak like this to each other?  Would they say these things? How could this section of dialogue be improved?

Try writing it again conveying the same information but making it sound more natural.

Watch out for dialogue tags. It’s not always necessary to use the words, he said, she said etc.  It’s also not necessary to vary the speech very often. This can make dialogue sound unnatural too.

Technically

Dialogue should be indented. Every time a new person speaks they should have a new line. Quotation marks go outside the punctuation.

 

 

 

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So what is a short story then?

This is a question I regularly get asked by students. I was doing a talk at a writers’ group in Bournemouth on Monday evening and it came up again.  I know I have my own definition, it’s one I’ve refined and honed over the years, and it’s this:

A short story is a piece of writing where a character has a problem, which is resolved by the end in an unexpected way, preferably by the character’s own endeavours.  During the process the character is changed in some way.

There does not have to be a twist, but the problem can’t be resolved so simply that there was never really a story.

I don’t really think about this definition when I’m writing a story, but what I do find interesting is this. If I’m struggling with a story that isn’t working, it’s usually because one of these elements is missing.  Perhaps there is no problem, for example. Or perhaps it’s resolved by someone else, or perhaps the resolution is too obvious.

There are other definitions, other elements, like themes and universal truths that come into play, but this definition has stood me in very good stead.

If you want to know more my next two courses are about short story writing

Write a short story in a weekend takes place at Fishguard 15th – 17 February

http://www.writersholiday.net/fishguard.htm

I’m also teaching How to Write and Sell Short Stories in Bournemouth on Saturday 9 March, 13.

http://www.dellagalton.co.uk/?page_id=31

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Posted in Short stories for magazines, Tips on writing | 4 Comments

Writers’ Forum now have Dear Della page on Facebook

Writers’ Forum now have a Dear Della page on Facebook where writers can post questions and get feedback from other writers – as well as just me.

I’ll be visiting it regularly, so do please come along and share your thoughts on anything writing related.

Should be fun 🙂

http://www.facebook.com/DearDella

 

 

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Posted in News | 5 Comments

Do men write erotica – or is it a closed shop?

One of the letters I recently received for my Dear Della page was from a guy asking if erotica was a closed shop to men. He’d noticed that many erotica writers were female.

Interesting question – I know what he means. However, who writes what can be somewhat misleading in this field as practically everyone has a pseudonym.

In my experience from working as an editor for Xcite Books I’d say this is one of the fields where male and female writers are fairly evenly spread.  In some of the niche markets there are actually more male writers than female. However, it’s actually quite hard to identify authors because so many of them use a pseudonym. These are often changed to reflect the type of erotica, for example, a woman writing for a gay market might well use a male pseudonym and a man writing lesbian erotica often uses a female pseudonym.

So no – this market is definitely not a closed shop for men.

If you would like to know more about writing erotica – whether you are male or female, please do check out my day course on How to Write and Sell Erotica on 2 February. More details here http://www.dellagalton.co.uk/?page_id=31

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Inspiration and writing

I was writing a short story yesterday – well trying to write one actually – and it was like wading through treacle. There was nothing actually wrong with it, I mean the words were OK, but I was not enjoying it at all. I got to 800 words and realised I didn’t know how to end it, and that’s when I realised that actually there was no plot – this has happened to me a few times lately.  OK, so plot isn’t a major problem, I can quite often engineer one and insert earlier signposts into the story. But yesterday this didn’t work either. I just couldn’t understand why I was having this problem.

And then it hit me in a flash (sorry for cliche) what the answer actually was   I was not inspired. I was not inspired because I didn’t feel anything. I had no emotion on which to hang the story.

I don’t know about you, but I always have to be emotionally engaged to write a decent short story. Or to write a decent anything come to that. As soon as I realised this, I abandoned the story I was writing and went back to one I was emotionally engaged with, but that I hadn’t finished. Oh the difference was amazing.

And yes, I’ve just finished it.  And yes I’ll go back to the other one some time, but not before I find a way of becoming emotionally engaged with it.

So, how do you find inspiration and hence emotional engagement with your work. Here are three of the ways I do it:

Music – borrow emotion from music – put on a tune you really connect with, feel the emotion and transfer it to the page.

Other writers – last night I went back to my writing class after the Christmas break. Listening to other writers and reading my work to other writers is amazingly inspiring and very motivating. If you don’t go to a class, then maybe you could do a story swap online with another writer, or hold a manuscript evening at your house where everyone brings something to read.

Read – reading something very, very good also works for me. I’m the type of reader who gets motivated by other writers’ brilliance.  Every time I read a brilliant short story I think, one day, I’ll be able to write something as good as that.

How do you get inspired? I’d love to know.

 

 

 

 

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Posted in ideas, Inspiration, Tips on writing | 13 Comments

Happy New Year

We all begin the year with various writing resolutions, but then real life gets in the way.  So why not have one resolution a month?

January

Don’t think about it, just write.  Set a timer for ten minutes and begin writing on the theme of new beginnings.

February

Write a short piece, which includes the words, Summer, Knife and Jealousy.

March

Describe a winter scene in 500 words.  Be poetic.

April

Write a short piece on the theme of water.

 May

Imagine that you have just confronted your deepest fear.  Write down how you feel.

June

Write about an intruder.

July

Invent a character who has a problem that is major to him, but minor to other people.

August

Write a letter to your local newspaper about something that you feel strongly about.

September

Look out the first story you ever wrote and see what you can do to improve it.

October

Describe the view from your window.

 November

Describe in detail a character you dislike.

December

Write a Christmas carol or poem.

Happy writing, and thank you for reading my blog 🙂

 

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Posted in Tips on writing, Writing, Writing exercises | 6 Comments

Twitter interview with Peter Jones

Earlier today I interviewed Peter Jones on Twitter. Just in case you missed it, here’s the transcript.

Vikki & Jayne chimed in too.

DellaGalton: So Peter @doitallbehappy are you ready to be interviewed about #boxingday
11:58am, Dec 26 from Web

doitallbehappy: @dellagalton Ready and waiting! Shoot! #boxingday
11:58am, Dec 26 from HootSuite

DellaGalton: @doitallbehappy I have it on good authority that you invented #boxingday is this true?
11:59am, Dec 26 from Web

doitallbehappy: @dellagalton I may have RE-invented #BoxingDay 🙂
12:00pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy So tell me about this re-invention?
12:01pm, Dec 26 from Web

doitallbehappy: @dellagalton It’s a kind of a chillout day, and I have one, on average, once a month
12:03pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy So you have a day exactly like today once a month. Is this right? Would you have Christmas Day and turkey the day before?
12:04pm, Dec 26 from Web

doitallbehappy: @dellagalton LOL. For me #BoxingDay isn’t anything to do with xmas. It’s only called Boxing Day because that’s when the 1st one happened.
12:07pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy So, are you saying anyone can have a #boxingday at any time of the year? What gave you this idea?
12:09pm, Dec 26 from Web

doitallbehappy: @dellagalton Yes. That’s the idea. I pre-plan my Boxing Days – one a month.
12:11pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy So what did you do on your last #boxingday, apart from this one that is 🙂
12:13pm, Dec 26 from Web

doitallbehappy: @dellagalton Gosh! I can’t remember exactly – I do so many things. But my Boxing Days definitely have themes
12:14pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy what kind of themes exactly?
12:15pm, Dec 26 from Web

doitallbehappy: @dellagalton Cooking is one; I’ve made chocolate brownies, treacle tart, many many pizzas (base included), and truck loads of flapjacks.
12:16pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy Are there any rules for #boxingday activities then?
12:17pm, Dec 26 from Web

doitallbehappy: @dellagalton @vikkithomp Rule 1: No-pre-planning! Rule 2: Book BD in advance. Rule 3: You can move BD but you can’t cancel it!!
12:19pm, Dec 26 from HootSuite

vikkithomp: @doitallbehappy @dellagalton So “planning” to have a day where I don’t go online is a no no? #BoxingDay (which I’ve now broken anyway lol) x
12:23pm, Dec 26 from Twitter for iPad

DellaGalton: @vikkithomp @doitallbehappy absolutely. you can do anything I reckon – and it would qualify.but let’s ask Peter 🙂
12:24pm, Dec 26 from Web

Jayne_A_Curtis: @DellaGalton @vikkithomp @doitallbehappy Im having a large Tia Maria on Ice, I definitely didnt plan it, honest.
12:29pm, Dec 26 from Web

DellaGalton: @Jayne_A_Curtis @vikkithomp @doitallbehappy Now, that sounds like a fine plan Jayne. Peter is this a valid #boxingday activity?
12:31pm, Dec 26 from Web

doitallbehappy: @dellagalton @Jayne_A_Curtis My first #BoxingDay I opened a bottle of champaign – so I guess that answers that! 🙂
12:32pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy @Jayne_A_Curtis Were you celebrating anything specific or just #Boxingday
12:33pm, Dec 26 from Web

doitallbehappy: @dellagalton I guess I was doing what Kate (my late wife) and I used to do on our Boxing Days.
12:35pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy Ah, so Kate was the reason you reinvented #boxingday?
12:38pm, Dec 26 from Web

doitallbehappy: @dellagalton In a way. BD was ‘our’ day. The 1st year without her I replicated what we’d done. After that I decided to do it each month.
12:40pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy Ahhh, that is so romantic. Have you had any other romantic #boxingdays? Romance sounds like a fine theme.
12:41pm, Dec 26 from Web

doitallbehappy: @dellagalton Is that an offer 😉
12:42pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy Right, Mr Jones, getting back to your book. Tell us where we can buy it again 🙂
12:42pm, Dec 26 from Web

doitallbehappy: @dellagalton It’s available as an ebook and audio right now – http://t.co/0VNYp6ef – and @HarperCollinsUK are republishing it Jan 17th
12:44pm, Dec 26 from HootSuite

DellaGalton: @doitallbehappy @HarperCollinsUK Thank you so much Peter. I will let you get back to the official #boxingday. Have fun 🙂
12:46pm, Dec 26 from Web


Follow Peter on twitter @doitallbehappy and me @dellagalton

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Writing a Serial

I started writing serials because the thought of making the leap between short stories and novels terrified me.   Writing a serial of around twenty thousand words seemed like a good interim step. Not quite as scary as embarking on a hundred thousand words, but allowing more scope than a short story.

I hadn’t realised then, that a serial is not a mini novel with cliff hangers thrown in at the ends of instalments.  The pace is completely different.  As different, in fact, as the pace between a short story and a novel, and, for me, this was the hardest adjustment.

Obviously, there are similarities between serials and novels, too.  The main one that springs to mind is that a serial gives a lot more room for character development.  And you do need cliff hangers, which should be developed throughout the rest of the part, yet also come as a surprise to the reader.  This is not easy!

I’ve had ten serials published now in Woman’s Weekly and I’ve enjoyed writing them all.  One of my favourites was called SHADOWMAN, and was a five part thriller set in a show jumping yard.  A young couple, are plagued by anonymous notes, which threaten both their business and their marriage.  Writing this was like putting a jigsaw puzzle together.  There were several people who could have been the note writer – I had set up motives for them all – and I wasn’t sure myself who it was until the end.

I also loved writing WISH LIST, which was a humorous three part serial.  The main character who’s just emerged from a traumatic divorce, finds a wish list she’s written twenty years earlier.  She decides to work her way through it and in doing so regains her shattered self esteem.   

I had a lovely letter about this one from a lady vicar, who said she laughed all the way through.  That really made my day.

Both of the above had strong structures.  Shadowman was a whodunnit and The Wish List was based on a ‘wish list’ – odd that. But I think that good use of structure is worth thinking about in a serial.

Only three of the magazines take serials these days, which is a shame.  They are Woman’s Weekly, My Weekly and People’s Friend, the latter runs two a week and so is probably a good place to start.  Editors’ requirements do differ, but each of these magazines will supply guidelines for writers venturing into this medium.

If you want to know more about making the leap between writing short and long fiction, then I happen to have written a book about it 🙂

Moving On – Short Story to Novel

I think it’s quite good! Though I might be prejudiced!

Your guide to writing longer fiction

 

 

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Posted in Tips on writing, Writing | 10 Comments

The Dunford Novelists’ Conference

Gosh, it’s ages since I wrote a blog, and I have been meaning to tell you about the Dunford Novelists for a while.

This is my all time favourite writing conference. Two reasons: one, it’s at the end of January – and looking forward to it livens up that flat ‘after Christmas’ feeling no end – and two, it’s a working writer’s conference. Moi? workaholic? Well, of course!

I was first introduced to Dunford about 12 or so years ago. It runs from Friday tea time to Sunday just after lunch and it’s one of the most intensive things I’ve ever done. Basically it’s all about getting the first chapter – and indeed the first page – of your novel as spectacular as possible. Because if you don’t do this, the rest of it might never be read.

You take along your first chapter – four copies of it to be precise – and throughout the weekend you get written feedback from the other delegates, a mix of published and yet to be published novelists. You also read your first chapter aloud to your group (6 people) and get comprehensive verbal feedback. You also read your first page aloud to the entire assembly (36 people) and get verbal feedback.

It’s scary. Very, very scary. But it doesn’t half focus your attention on your first chapter. And your first page. I love it, love it, love it!

Dunford is chaired by best selling novelist, Catherine King.

It is however, invitation only, but I happen to know that there are one or two places left for this year’s conference because of last minute cancellations.

It costs £201 for the weekend, and is in Bournemouth on 25-27 January.

If you fancy subjecting your first chapter to intense scrutiny and having a rather fine time socialising too, then get in touch with me and I’ll see if I can wrangle you an invite 🙂

 

 

 

 

It’s invitation only,

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Posted in Retreat, Writing, Writing conferences & schools | 2 Comments