This is a blog you’ll enjoy if you like writing! I write for magazines in the UK and abroad and I am also the Agony Aunt for Writers’ Forum magazine.



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Wednesday Writing Spot – Wells Literature Festival

Me outside the Bishop's Palace where I'm about to teach

Just a little bit of feedback from me this week regarding the Wells Literature Festival where I did a workshop on Writing and Selling Short Stories on Sunday 13 October. I hadn’t realised I’d be teaching in the Bishop’s Palace. Wow! I felt quite intimidated when I saw the building. But on the other hand, what an inspiring place to work! Here are some pictures I thought you might like.

These are the stairs to my classroom

And we're inside the palace - what an inspiring place to write

My group of 21 students wrote an opening paragraph and then read it out for feedback. I think they enjoyed it as much as I did. At four pm I gave out the prizes to the first, second and third prizewinners of the short story competition. Well, actually I didn’t, as none of them were there. So if you did enter, and you didn’t go to the prizegiving you may well be in for a lovely surprise. Do check out the results which should be on the website here any day now. My lips are sealed until the festival has updated its website.

And in the meantime, thanks to the students who came to my workshop. I hope to see you all in print very soon.

While you’re here, please check out my two writing guides. How to Write and Sell Short Stories published by Accent Press and The Short Story Writers’ Toolshed published by Soundhaven.com

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Wednesday Writing Spot – Writing Problems and Solutions, part two.

The Problem – A Satisfactory End This problem has nothing to do with writers’ bottom by the way, or pigs for that matter – this is a different problem entirely – I am talking about achieving a satisfactory ending to your short story. I have always had trouble getting, what is to my mind, a satisfactory ending. And I was reminded this week that I’m clearly not the only writer who struggles with this. I’ve just judged the Wells Festival of Literature Short Story Competition. I can’t say too much, because to date they have only announced the short list, but here are just three of the problems I came across. And they all involve unsatisfactory endings. Please forgive my tongue in cheek headings.

The ink ran out

These are the kind of endings which stop dead. Once or twice I actually found myself looking for another page. The stories often begin beautifully and have great writing, but then just stop. Nothing is resolved, nothing is explained, we are just left wondering what happened.  Now, don’t get me wrong, I am all in favour of endings that are enigmatic – or even a little open ended (as long as they work). But they must still be endings. It must be clear we have reached the end – and the writer hasn’t just wandered off for a coffee and is coming back in a bit to write the last sentence.

Obvious from the outset

These are the opposite end of the scale. With a couple of the stories I guessed from the outset where we were going. And I was proved right. Which was disappointing. Again, these stories were often beautifully written, but it isn’t enough to take me on a journey from A to B if I can see the destination from the outset. Sometimes it may be enough if I am deeply moved by the journey, but not often to be honest. I need more. These are the stories that tend to read more like anecdotes or accounts. And anecdotes or accounts of an event, however moving, aren’t stories.

Yeah, but so what?

These are the ones where I reached the end and thought, yeah, but so what?  Once again, some of these were fantastic ideas – but a fantastic idea isn’t enough to carry a short story, not without a fantastic ending to complete it.  Sorry – there were quite a few of these.

Solutions

If it was easy, I suspect we wouldn’t have such problems with this, but here are some of the solutions that have worked for me. I hope they may be helpful for you too.

The ink ran out

These endings usually require a little more thought. Often the writer believes they have written a satisfactory ending because it is clear to them what happened – but this hasn’t come across on the page. (I am guilty of this myself) I just had a story returned to me which had exactly this problem. The solution, I realised, as I read through it was to underline the theme and make sure that it tied up with the ending. Make sure you know exactly what your story is about. And make sure the reader does too. Don’t spell it out, but do give your ending power and resonance. I believe this can be done most successfully when the theme is crystal clear in the writer’s mind.

Obvious from the outset

This one’s a little easier  to resolve. Almost always it just means that some of the information you have given us up front needs to be withheld – so that there ARE some surprises. I’m not saying there has to be a twist, but there does have to be something that the reader doesn’t know at the outset. A theme here works well too. Your surprise could be tied up with the theme.

Yeah, but so what?

I found that these type of endings broke into two types.  Both of them were to do with not caring enough. Either I didn’t care enough about the character so that when he/she got his happy ending (or not) I didn’t care much anyway. This one can be resolved by making him more likeable/believable/interesting.

Or… I didn’t care because the plot, while often absolutely fascinating, didn’t seem to have a point.  For example, a lot of amazingly intriguing stuff happened and then we found out why, but there didn’t seem to be any real rhyme or reason to it. I think these work brilliantly if the writer can slide in a universal truth at the end. An example of this would be – and I’m moving away from short stories here to novels – the Boy in the Striped Pyjamas. This is a great book and has the most fabulously resonant closing lines I’ve ever read. I won’t spoil it if you haven’t read it but it actually ends with a beautiful ironic statement which outlines a universal truth about humanity.  (well it does in my humble opinion) It doesn’t get much bigger than that. And as this is a blog post about endings, I had better just add a closing paragraph, hadn’t I! The ending of your story is the last thing a competition judge/editor sees. Get it right. A perfect ending will get you noticed. 🙂

While you’re here, please check out my two writing guides. How to Write and Sell Short Stories published by Accent Press and The Short Story Writers’ Toolshed published by Soundhaven.com

And if you’d like to know more about the Wells Festival of Literature which takes place from the 11th to 19th of October, click here.

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Wednesday Writing Spot – Cindy’s Jukebox

This Wednesday I am delighted to welcome the lovely Douglas McPherson. He has written a  number of romances including The Showman’s Girl, Closer!, and the country music based Nashville Cinderella under the pen name, Julia Douglas. I have to say the cover is absolutely beautiful, Douglas, or should I say, Julia? Over to you…

And actually we’re over to Cindy Coin. Because in this special guest post, the author interviews one of his characters – Cindy Coin, the country-singing heroine of Nashville Cinderella to pick five songs that would be on the sound-track if the book was made into a movie.

(“I guess Carrie Underwood could play me,” says Cindy, “And Taylor Swift could play Katie. As for Hank, Brad Pitt, definitely!”)

Jolene by Dolly Parton

Cindy says: “Dolly is my all-time heroine. I’ll never forget the day my mom and dad took me to one of her shows when I was five-years-old. We stood in line for hours afterwards to meet her and she was so gracious. Sadly, that’s one of the last memories I have of mom and dad. They were musicians and were killed in a tour bus wreck soon afterwards. I guess maybe that’s why I’ve always wanted to be a singer, to kinda feel closer to them.”

I Want Your Body Cowboy by Katie Carnegie

Cindy says: “Katie is the new kid in town and Hank, her manager and my ex, reckons she’s gonna be the biggest star in the world. I really hope she will be, because she’s a great friend of mine. But I can’t help remembering Hank saying the same thing about me – and I’ve been in Nashville for five years now, and I’m still waiting tables. The song was written by Tony, who’s the chef at Lulu’s, the diner where we both work on Lower Broadway. Tony and I share a house in East Nashville, the cheap side of town where all the musicians live, but it’s a strictly best-of-friends arrangement. Tony is like the brother I never had. Sometimes I think he’s more like one of my girlfriends than a guy. In fact, I teased him about how come he wrote such a girly song!”

On The Road Again by Willie Nelson

Cindy says: “Willie is such a sweetheart – the biggest star in the world, but so encouraging. Every year he blows through town and asks if I’ve got a record deal yet. “It’ll happen,” he keeps telling me, “Just remember, it all comes down to the song.” I wish I believed him, but sometimes when I see people like Katie and Hank getting on with their careers while I’m still working in Lulu’s, I feel I’ve been left behind, like a Nashville Cinderella.”

Missing You Miles by Texan Jack Dallas

Cindy says: “Tex is the Next Big Thing. He’s like Elvis and Johnny Cash rolled into one. Katie has fallen for him so bad, but the guy lives on a tour bus and when he’s away he never calls her. He asked me to sing duet with him on this song. It’s so obvious he wrote it about Katie, so why doesn’t he just come out and tell her how he feels? But, as Tony told me, if love ran smooth, who’d need country songs?”

What I’d Give by Cindy Coin

Cindy says: “Tony and Tex wrote this song and asked me to sing the demo. There’s a line that goes, ‘What I’d give to have a guy like that,’ and for some reason, without even knowing it, I sang, ‘What I’d give to have you back.’ I guess I was thinking about Hank, not that I’d ever admit that, but suddenly the tears were streaming down my face as I was singing. Tony and Tex kinda looked at each other and said, ‘You just turned this song into a hit.’ I thought they meant a hit for Katie, because she needs songs her album. But Tony was like, ‘No, Cindy, this is your hit.’ After all these years, it’s almost scary to get my hopes up, so I guess we’ll have to wait and see.”

Thank you very much, Douglas for a refreshingly different guest post.

Nashville Cinderella by Julia Douglas is available to borrow from local libraries in a large print paperback edition (Linford) or to download as an ebook from Amazon and all major online bookstores.

 

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Steve Wright In The Afternoon

steve wright

On Wednesday, fellow author Peter Jones and myself were proud to be special guests on the ‘Steve Wright In The Afternoon‘ show on BBC Radio 2, to talk about our book How To Eat Loads And Stay Slim

It was a momentous occasion! Both of us have listened to Steve for more years than we care to mention, and yet somehow the show is as fresh and lively today as it was back when we were… er… younger.

It’s a quick interview – just over five minutes long – but somehow we manage to discuss the concept of the book, how hunger really works, Peter’s mysterious oil diet, my fat-free cooking principles, how to survive social eating, why diets don’t work, and why making lots of small changes does. Phew!

You can listen to it again over on the BBC website (or click the image below).


To listen to other radio interviews (and audio content) about How To Eat Loads And Stay Slim click hereHow To Eat Loads And Stay Slim is available, now, in three formats. Find out more at howtoeatloadsandstayslim.com

‘Ten Weeks To Target’ – a romantic comedy set in a slimming club – is now available for all Kindle enabled devices.

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Wednesday Writing Spot – Woman’s Weekly Live, Manchester

By the time you read this I’ll be on my way to Manchester. I’m teaching short story workshops with Gaynor Davies and Jane Wenham Jones at the Woman’s Weekly Live Show.  Click on the link for more details of the programme and how to get tickets. Last year we did the same thing and it was fabulous. We’re teaching workshops between 10.00 and 4.00 Thurday 12th, Friday 13th (oo-er) and Saturday 14th September. Jane is doing How to Kick Start Your Writing, Gaynor is doing Writing Short Stories and Serials for Woman’s Weekly and I’m doing 21st Century Romance – Writing with Passion.  We are also doing one to ones – so you can bring your stories along for a (brief) critique.

So, if you do happen to be in the vicinity of Event City Manchester on any of the three days, please pop by and say hello. It will be great to see you.

It’s a fabulous show, plenty to see and do from cookery demonstrations to fashion displays.

Oh, and by the way, if you fancy reading one of my stories, writtten especially for Woman’s Weekly, I have two in the current issue (September – issue 9) of the Woman’s Weekly Fiction Special. (not the one pictured). On sale now. It’s the one that mentions Woman’s Weekly Live on the cover at the top.

If you’d like any more advice on writing short stories, please check out my two writing guides. How to Write and Sell Short Stories published by Accent Press and The Short Story Writers’ Toolshed published by Soundhaven.com

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A little ‘light’ reading

Ten Weeks to Target is my latest novella to make it into kindle. Actually it’s my first Della Galton novella to make it into kindle.  If you have ever set foot inside a slimming club it may appeal to you. In fact, if you have ever tried to lose a few pounds it may also appeal to you. It’s a light hearted romantic comedy – and I thought you might like a taster – so to speak!  So here is the first chapter to read at your leisure 🙂

 

Chapter One

“Why don’t you just get a bigger size, Mum?”

Very good question, Janine thought as she struggled to get the zip done up on her jeans.  Everything was so simple when you were fourteen, going on twenty-five, and could eat whatever you wanted without putting on a pound.  She glanced at Kelly, who was sitting on the bed, her dark hair gelled into hedgehog spikes and her blue eyes impatient.

“Because I don’t want a bigger size,” she said patiently.  “I want to fit into this size.”  Especially as your Aunt Alison will be looking like she’s just stepped off a catwalk, she could have added, but didn’t in case she sounded like a cow.

Alison was her sister in law.  Alison was perfect.   Well, she was in the looks department anyway.  She had the sort of cheekbones photographers raved about, not a trace of a laughter line despite being in her mid forties – blond hair that always looked effortlessly styled and – most enviably of all in Janine’s book right now – she was a size ten.

“If you’re getting all done up for Aunt Ali’s benefit then I shouldn’t bother,” Kelly went on with irritating perception. “She’s far more interested in discussing the ‘wedding of the year’ than in what you look like.”

“Yes, but that isn’t the point,” Janine said, forcing the button into place.  It would be all right if she didn’t sit down. And if she wore a long top then maybe she could leave the button undone.  With a bit of luck Ali would be in too much of a rush to stop long.

“What do you think?” she said, spinning round in front of her daughter.  “Do I look fat?”

“No-oo,” Kelly said, spinning out the O in the way she did when she was trying to think of something diplomatic to say.  “But you do look – er – uncomfortable.”

Uncomfortable was the understatement of the year, Janine thought wryly, and she hadn’t dared breathe out yet.  Maybe it would be more sensible to wear her black trousers.  At least they fitted properly.  The trouble was, her sister in law was going to think she didn’t have any other trousers.

And then the doorbell rang and it was suddenly too late.  She checked her hair in the mirror.  She always seemed to be too busy ferrying Kelly around to have time to worry about such things as hair appointments.   Her shoulder length brown frizz was in dire need of a cut and grey was coming through at the sides.  She was sure it hadn’t been there yesterday.  Why did it always have to come through just at the wrong time?

“Shall I let her in?” Kelly asked, standing up in one careless, graceful movement.

“Yes.  No, I’ll do it.”  Janine reached for her scent, at least she’d smell nice, but as she stretched forward, her jeans finally gave up the battle and tore along the crotch.

The bell rang again and Kelly hesitated in the bedroom doorway. “Oops, have they ripped?” she said sympathetically.  “Why don’t you wear your nice black ones instead.”

Sometimes, Janine thought, swallowing the urge to scream, she could have sworn that Kelly was the pacifying adult and she the child.

“I’ll let Aunt Ali in,” Kelly added and disappeared.

Janine ripped off the ruined jeans and rifled frantically through her wardrobe.  No black trousers.  Suddenly remembering they were in the wash, she tore into the bathroom and found them screwed up in the bottom of the linen basket.

They’d pass if she ironed them, but the iron was downstairs and by now that’s where Alison would be too – sitting slim and elegant in her kitchen.  She must have something else that fitted.  A frantic further search of her wardrobe told her different.  It would have to be her tracksuit bottoms.  She hauled them off the hanger, remembering belatedly that the last time she’d worn them had been to emulsion the spare room, which wasn’t quite finished.  They were paint spattered, but at least they fitted. She raced across the landing and put her head around the spare room door.  A tray of paint brushes was laid out neatly on some newspaper.  She grabbed one and went downstairs slowly.

Alison and Kelly were sitting at the kitchen table, bent over a wedding magazine.  Janine put on her brightest smile.

“Hi, Ali, sorry I forgot you were coming, I was just – er – doing a bit of decorating.”  With a bit of luck she could pass off the grey in her hair as paint.

“Oh, don’t let me stop you.”  Alison glanced up.  She looked breathtaking as usual in a navy and white suit.  Positively nautical, Janine thought, which was perhaps why she felt a bit sick.  Or perhaps that was because she was afraid that Kelly would give the game away and she’d have to confess that she had simply outgrown her wardrobe.  All of it, without even noticing.

But all her darling daughter did was to raise her eyebrows and shake her head slightly.  “I’ll put the kettle on while you two talk weddings,” she said, sliding off her chair and coming across the kitchen.  She took the dry paintbrush out of Janine’s hand.  “And I’ll put this in some white spirit, shall I, Mum, save it going all stiff and hard.”

Fortunately Alison didn’t seem too interested in the decorating.  “I thought you’d like to see the place cards we finally decided on,” she murmured, barely glancing at Janine.  “What do you think? Gorgeous, aren’t they?”

“Lovely,” Janine agreed dutifully, looking at the pink and blue edged cards.

“They’ll go in little gold place holders,” Alison went on.  “Mia thought you might like to see the seating layout, too.  I think we’ve finally thrashed it out.  You’re going to be here.” She pointed a pale pink fingernail.  “Next to Mia’s uncle Martin, remember him – he’s just split up with his wife, too.  Poor man was devastated.”

Great, Janine thought.  A table of discarded aunts and uncles, neatly packaged away by the fire exit by the look of it.

“It’ll cheer him up sitting with you,” Alison went on brightly.  “Have you decided what you’re going to wear yet?”

“Er no, I haven’t had much time to think about it.  What with the decorating.”

“Well, chop chop, it’s only ten weeks away now, you know. I’ve had my outfit for a year.”

Janine nodded miserably and resisted the urge to confess that if she’d had her outfit for a year, she’d have had to let it out by at least three sizes by now.  Some women gave up eating when they were unhappy, but unfortunately she’d never been one of them.  Since she and Jonathan had separated she’d piled on weight like there was no tomorrow.  Well, chocolate was so much more comforting than salad, wasn’t it.  But she felt quite unable to say any of this to Alison, who actually looked as if she’d lost weight lately.

“Mind you, I’ll have to get it taken in,” Alison muttered, flapping the waistband of her skirt.  “What with all this running about I’m losing weight by the bucket load.”

“What a nuisance,” Janine said, hoping she didn’t sound too bitter and twisted and reaching absently for the plate of chocolate hobnobs that Kelly had put out.  “Have one of these?”

“Ugh, no thanks. Far too much on my mind to eat.  Anyway, Janine dear, I’ll leave you to your decorating. You’re obviously up to your eyes in it.  And, don’t take this the wrong way, will you, but …” She hesitated.  “I thought you might like to get your hair done before the wedding at my salon.  Ritchie’s an absolute marvel. My treat of course.”

“That’s very sweet of you,” Janine said through gritted teeth.

“I’ll see myself out,” Alison trilled, gathering up her place settings and slipping them into her slimline, designer handbag.

Janine was very tempted to slam the door behind her.  Hard, so that it rattled the foundations of the house.  Hard enough to get rid of some of the simmering frustration that threatened to burst out of her as tears.

“She means well,” Kelly said, reading her mother’s face as they came back into the kitchen.  “And you’ll look great whatever you wear.”

“Thank you, darling.”  She treated her daughter to a hug, breathing in the mix of hair gel and apple shampoo and feeling a mixture of despair that she was a fat and frumpy forty year old, and relief that she had such a gorgeous, sweet daughter.  “But we both know that’s not true.  Anyway, at least one of us will look beautiful.”

“Mia’s too young to get married,” Kelly went on blithely. “I’m never getting married.  Especially not to a dork like Carl Baker – I don’t know what she sees in him.”

Janine frowned. Privately, she agreed that nineteen was very young to take such a big step, but then Mia had always been mature for her age.  She was a lovely girl, shy and sensible. She’d seen a lot her when she was younger, but they’d hardly spoken lately.  Poor Mia was probably rushed off her feet with wedding plans.

“I expect she loves him,” she told Kelly. That’s the usual reason to get married, isn’t it.”

“Didn’t help much with you and Dad, did it?”

Ouch, Janine thought, changing her mind about Kelly being gorgeous and sweet.  Mentions of her ex-husband still hurt far more than she wanted to admit.  She wasn’t looking forward to seeing him at the wedding with his new girlfriend, who was thin – naturally.

Blimey, she was going to have to lose some weight before then.  Perhaps she could get a padlock for the biscuit tin and the fridge, and she could have a ceremonial burning of all the take-away menus in the house.

They were on their way to school the next day when Kelly said hesitantly.  “You could always try a slimming club.  Sharon Tate’s mum lost three stone at hers.”

“Bet it took more than ten weeks,” Janine muttered, slowing for a red light.

“Yes, but you don’t need to lose three stone.  A stone wouldn’t take long, would it?”

“I’m not a slimming club type of person, though, darling.  I can’t think of anything worse than sitting in a room with a load of women discussing diets.”

“It’s not just women who go these days.  There are three men inSharon’s Mum’s group.”

“That sounds even worse,” Janine said, and then felt guilty at her daughter’s pained expression.  “All right, I’ll think about it,” she said, as they pulled up at the school gates.  “Have a good day, pet.”

***

She still wasn’t quite sure how on earth she’d let herself be talked into it when she walked into the “New You” Slimming Club the following Tuesday evening.  As she stood at the end of a queue of chattering women she very nearly lost her nerve and ran.  It was only the fact that she’d promised Kelly that stopped her.   The class was being held at a primary school about two miles from where she lived, and there was a board at the entrance that said, ‘Come on in, you have nothing to lose, but weight.’

She could think of a lot of other things she had to lose.  Dignity being the main one.  The last time she’d been to a slimming club, the group leader had thought it motivating to tell everyone in the room how much you weighed.  Mind you, that had been several years ago.  She closed her eyes and prayed things had changed…

If you enjoyed chapter one and would like to read the rest you can buy it on Amazon for a very reasonable £1.53 by clicking here. It’s also available in large print format.

 

 

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The Wednesday Writing Spot – Writing Competitions – an insider’s view

On this week’s Wednesday Writing Spot I am delighted to welcome the lovely Morgen Bailey, who has generously agreed to give us an insider’s view of what goes on behind the scenes in the judging of writing competitions.

Based in Northamptonshire, England, Morgen Bailey (“Morgen with an E”) is a prolific blogger, podcaster, editor / critiquer, tutor, speaker, Chair of NWG (which runs the annual H.E. Bates Short Story Competition), freelance author of numerous short stories, novels, articles, and dabbler of poetry. Like her, her blog, http://morgenbailey.wordpress.com, is consumed by all things literary and she loves chatting with other writers and readers. Her email is morgen@morgenbailey.com.

Over to you, Morgen…

I’m involved in three writing competitions:

So I’ll be talking today about my insider’s view.

How competitions work

H.E. Bates (run by Northampton Writers Group, of which I am Chair) – deadline 4th November 2013

  • Our Competition Secretary, Nick, receives the (national and international) submissions by email and post. He catalogues each one, giving them a number. He then prints off the emailed ones, adds them to the posted, and divides them into batches of c.25, bringing them to the writing group where each person has a pile at a time (Nick and I read / score them all). We score them, give them back and he collates them then selects the top ten which goes off to the Head Judge (who, in 2013, is the prolific short story author, ‘how to’ writer and novelist Della Galton, previously crime novelist Stephen Booth and in 2011 romance writer Katie Fforde) who picks his / her top three. These are then announced (and prizes awarded) at a ceremony in Northampton the following January, along with a Northamptonshire winner (if not the same as the Top 3) and an under 18.

NLG Poetry Competition (run by Northampton Literature Group, of which I am Acting Chair) – currently on hold for 2013

  • I have little involvement in this other than being a member of NLG and (fellow dog-walker with the organiser) but in a similar fashion to the H.E. Bates, submissions are received in to one person, Pat, who collates and documents them. She, however, sends them all to the judges (there was one for free-verse and rhyming poetry, and another for humorous) who pick their favourites whom are awarded at a ceremony later in the year.

NLG Flash Fiction Competition – new for 2013 (deadline was 30th June)

  • It was my idea to hold a flash fiction competition in place of the poetry competition (which the poetry circle decided to put on hold due to finances and Pat wanting a well-deserved break). The word limit was set at 500 words making it easier / quicker for us to read than 1,000 words which some competitions allow, and until recently I had for my blog’s Flash Fiction Fridaysslot. It was an email-only which came into a dedicated email address accessible only by our Secretary / Treasurer, Brenda, who catalogued them and sent them out to myself and two other members of the group. I have already submitted her my scores (including three 10/10s and seven 9.5s) so Brenda will collate the other two sets of scores and send me the overall top ten for me, as Head Judge, to pick my top ten (if they don’t match mine) which will be listed / announced on our websites (see below).

Money

  • Some writers resent paying to enter competitions, often preferring to submit to magazines / online publications for a chance to be paid. I can’t say I blame them but, unless they’re sponsored, competition organisers invariably have to charge – how else do they give you prize money and pay the judges (plus admin costs such as advertising, postage etc.)?
  • The H.E. Bates competition fee is £4 per story, £10 for three. Expenses include the judge fee, administration and prize ceremony.
  • The NLG Poetry competition fee was £3 per poem, £10 for four (£3.50 / £10.60 if paid online by PayPal). The prize fund was £1200 and the judges were paid several hundreds of pounds each because they were judging all the entries. A huge outlay, and one that resulted, not unexpectedly, in a loss, so has been put on hold for the time being.
  • The NLG flash fiction competition fee was £2 entry, £5 for three (PayPal only). The only expense (because I gave my time for free) is the prize money (£75 / £35 / £15). There will be no ceremony but the top three will be published in full on the NLG website and my website (http://morgenbailey.wordpress.com), and seven Highly Commended listed (author name and story title only so they can be submitted elsewhere).
  • You may (or may not) be surprised to learn that none of the three competitions I’m involved in made a profit this time round (making a small, considerable loss or breaking even). This could be to do with the economic climate or that there are lots of competitions out there – more clash with the June NLG competitions, less so with the November H.E. Bates. Who knows? We do it because we enjoy it and want to help writers write and get noticed. Getting anywhere in a competition is something to add to your CV.

Tips

  • Read the guidelines. I can’t stress that enough.
  • Stick to within the maximum word / line count. You’ll be disqualified if you don’t.
  • Make your story unique. Apart from a fresh twist on one of the (supposed) seven plots out there, don’t send us a story that has already been published (even online) or certainly that has been placed in another competition and therefore published in some format (listed as Highly Commended with just your name and title is OK). Keep a list. File your story in a particular folder. Be organised.
  • Choose a memorable title. My favourite competition entry (which sadly didn’t make the top 10) to the H.E. Bates Short Story Competition 2011 was ‘The Bus Driver Who Stopped And Then Didn’t’ (the author actually won the 2012 competition with another story, so he persevered). It sticks in my brain, which a title of ‘The Bus Driver’ probably wouldn’t have done.
  • Don’t write to shock. Not many of us like reading about vomiting or guts spilling out – my apologies if you’re just eating while reading this, but that sort of proves my point.
  • Spell and grammar check. Read it out loud. It helps. A lot. I start a story with 10 out of 10 and knock marks off for avoidable mistakes, especially those that the computer’s checker would have highlighted.

So you want to make your story (or poem) as good as it can be to get through all those people and make the last one (me in some cases) go “wow”.

Morgen Bailey

morgen@morgenbailey.com

http://morgenbailey.wordpress.com

http://icanbuildyourwritingblog.wordpress.com

Thanks so much, Morgen. Incidentally, I happen to know that Morgen’s latest novel, The Serial Dater’s Shopping List,  is available for just 77p. You can buy it by clicking here

 

 

 

 

 

 

 

 

 

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Wednesday Writing Spot – Writing Problems and Solutions, part one.

The Problem – Procrastination

This is a big one for me. I didn’t realise how big until I took a week off and went to Devon last week, where I had hired a cottage to write the beginning of my new novel.  I deliberately hired a cottage with no internet signal so I would not get side-tracked on Facebook, Twitter etc.  Incidentally, there was barely any phone signal either so I couldn’t phone anyone up to chat without going out into the adjoining field.

Here’s the view from the cottage.

The picture below is the room I worked in. Glorious isn’t it.

So – did this work? Did I do loads of writing?

Yes and no. I did do a lot of writing, but not quite as much as I planned.  (I had planned to write three chapters of my new novel as a minimum).  I actually came away with three chapters – but one was already mostly written – does that count? Hangs head in shame. No, not really, I know!

So what did I actually do?  Well, I found other ways to procrastinate. Here are the writing ways:

Writing ways of procrastination

(Be particularly wary of these – because you probably think you are still working)

  • I planned out my entire novel in bullet point form. (I don’t usually do this).
  • I got side-tracked finishing a short story – well when I say finished, I still haven’t quite finished it.
  • I did a lot of editing of the chapters I’d already written.

Non writing ways of procrastination

  • I talked to the owners of the cottage about writing, tee hee – why is talking about it so much easier than doing it? They were thrilled I was ‘writing’ on location and wanted me to mention it in my next book!
  • I went on lots of walks with my dog, Maggie.
  • I caught up on a lot of reading – I read a novel for an author friend and gave them my editing suggestions.
  • I watched DVDs.
  • I – um – went on a couple of interesting expeditions; I went to a chilli farm, for one thing. Excellent writing material (if I ever have time!).
  • I bought presents for friends.
  • Oh and there was cooking and messing about and sunbathing.

The Solution

  1. When you have time to write, set a timer and just start writing. (I’m going to do that in a minute – honestly).
  2. Do this at the start of the day before doing a single other thing.
  3. Arrange to read out what you have written to another writer.

Number 3 works the best. Do this first and then do the other two.  And you will write, I promise. You’ll have to – or you won’t have anything to read.

I am so glad my weekly writing classes begin again next week.  I teach writing classes. I set homework. Most of my students agree that the class – and knowing they’ll have to read something out in it – is what motivates and inspires them to get something done. It works for me too because I occasionally take in a manuscript I’m having problems with and my wonderful class help.

My classes are on Thursday evenings (writing fiction and non fiction) and Friday mornings (writing for the terrified) at Kinson Community Centre in Bournemouth – in case you are interested. They start on Thursday September 5th or Friday September 6th. Please do email me for term dates or further details. If Bournemouth is too far away from you, why not try and join a class near you.

Just as soon as I’ve finished this blog I’m going to get back to writing. Did I mention that blogging is a great procrastination device too? If you’d like any more advice on writing short stories, (I am quite good at them when I actually start!) please check out my two writing guides. How to Write and Sell Short Stories published by Accent Press and The Short Story Writers’ Toolshed published by Soundhaven.com

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Wednesday Writing Spot – Avoiding Writer’s Bottom!

I have to confess that this post doesn’t have a lot to do with writing, unless you count avoiding writer’s bottom 🙂 I suddenly realised that I should really have put this post out on Monday, and Monday’s post should have gone out today.  So apologies in advance.

But if you are interested in avoiding Writer’s Bottom – and who isn’t! Then please read on.

Here are three yummy uses of 0% Total Yoghurt, which is fat free. (just in case you are interested!)

  1. Stir a very heaped teaspoon of Nutella through it, then dollop over a sliced banana. Awesome and pretty saintly.
  2. Use it to dollop over hot beef chilli (instead of full fat yoghurt) it’s better. Nice flavour.
  3. Use it instead of cream on fresh fruit salad. (you can wear a halo while doing this as it’s positively saintly)
And no, I am not on commission. Unfortunately. Just feeling rather peckish.

If you are interested in more ideas to do with eating loads and staying slim, please check out our book too. Click here to buy.

 

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Lady Writer

I don’t know what it is about being in your local paper that’s special, but somehow it is, isn’t it! So this is just a very quick blog to tell you about that really. It was lovely to see supersize hound dog and me in the weekend supplement of The Bournemouth Daily Echo. Thanks to Faith Eckersall, who I’ve admired for a very long time.  I don’t have a way of scanning it in – so you might just have to look at the pictures 🙂 But Faith said some very nice things, including the fact that I’m a writer – a proper one. And I don’t know what it is about we writers, are we all so full of self-doubt?  But that is still one of the most amazing things anyone can ever say to me. Thank you, Faith.

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